Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
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1888 practicesArea
How long you have
Who it is written for · Me
Where you are right now
On your own, or with someone · On my own
Theme
Approach
There is no breath that calms everyone. The one that settles your friend may leave you worse, and that is information about your body rather than a failure in you.
Labels like calming or energising are a rough guide at best. What actually happens depends on how you usually breathe, what your body has been…
Start with a count of four in and four out, then drop the count. Once the rhythm is there your body will choose its own length: six and six, eight and eight, whatever settles you.
The count is scaffolding. Holding onto it too long turns the practice into something you can pass or fail, which is the opposite of the point.…
Four in, hold four, four out, hold four. The holds are the strong part of this one, and they stay optional every single time.
Some people find the pauses deeply settling. Others meet the edge of what they can tolerate there, especially at the bottom of the exhale. Both are…
If you keep only one thing, make the out breath longer than the in breath. Four in and eight out is enough, and nothing clever is needed on top of it.
This is the closest thing to a dependable settling lever. It suits the end of the day, a queue you are stuck in, the ten minutes before sleep. Some…
If big breathing feels like too much, make it smaller instead. Breathe so smoothly that the in breath rolls into the out breath with no sound and no edges.
This asks almost nothing of you, and that is the point. Nothing to count, nothing to hold, no depth to reach for. For anyone whose panic runs through…
Rather than pulling in a big breath, breathe gently and slightly less than you want to, then wait. The deep breath that arrives by itself does more than the one you force.
Keep the breathing light and unhurried, and after a while a mild hunger for air builds. Let it build a little. At some point the body takes a fuller…
Holding your breath for a moment makes the next one deeper, which sounds backwards until you know why. The urge to breathe is driven by carbon dioxide, not by a shortage of air.
Sensors in the brainstem watch the level of carbon dioxide in your blood, and a pause, especially after breathing out, lets it rise a little. The…
The same breathing serves different jobs at different times. Early on it may be there to help you sleep and stay contained. Later it may be there to help you feel more, not less.
This is worth knowing so you do not judge yourself for finding a practice useful now that was useless six months ago, or the other way round. In the…
Let the in breath come however it comes, then breathe out through pursed lips as though through a straw for a count of eight, finishing with two more counts through the nose. Three ordinary breaths, then go again.
Three rounds is the usual dose. Notice what is deliberately left uncounted: the inhale. Counting the in breath when someone is already panicking…
The three ordinary breaths between rounds are not a gap in the practice. They are where you find out what the practice did.
Come back to normal breathing and check the body, the thoughts, the mood, the energy. Do not analyse it, just register it. Going round after round…
To find the soft ocean sounding breath, breathe out through your mouth as if fogging up a mirror. Then keep that same slight narrowing at the throat with your mouth closed, and let the sound get quieter and quieter.
Starting with the mirror gives you something to do instead of an anatomy lesson about a part of the throat you cannot see. Once the mouth closes, the…
The soft sound and the feel of this breath in your throat give your attention somewhere to sit. When the mind is loud, something you can hear holds better than something silent.
It is called the victorious breath, and the victory meant is over the noise in your own head rather than over anybody else. The vibration in the…
Close your right nostril with your thumb and breathe in through the left. Swap fingers at the top, breathe out through the right, in through the right, then out through the left. That is one round.
The fiddliness is not a flaw in the design. Keeping track of which nostril and which stage takes up just enough of your mind that there is little…
These practices are not only pleasant. They change things you could measure, which is worth knowing on the days when pleasant is not reason enough to bother.
Yoga and breath work tend to get filed under relaxation, and that undersells them. There are claims made about them shifting the chemistry involved…
A good instructor says light, moderate, heavy. A poor one says set the dial to three. Only one of those takes account of the body you actually brought with you.
Fixed settings guarantee that somebody in the room is working far too hard and somebody else is barely working at all. If you tend to go flat out and…
There are two skills here rather than one: letting your body move and settle in its own way, and being able to steer yourself deliberately towards rest or alertness. It is worth having both.
Most people are strong in one and shy of the other. If you always take charge, your body never gets to finish anything on its own. If you only ever…
How often you actually do it matters more than which version you chose. The people who keep turning up tend to get more out of it, and those who carry on at home get more again.
This is quietly encouraging, because an unimpressive practice done regularly beats an ideal one you manage twice. It also sets the expectation…
Part of why martial arts suit some people has little to do with the kicking. Every session opens with a plan and closes with a look back at what happened and what comes next.
Those brackets at each end are doing quiet work: planning, then reviewing, then planning again, which are exactly the things that are hard to hold in…
A reminder system is not a crutch you should be aiming to throw away. It is closer to a pair of glasses. You wear them because they work, and nobody expects your eyes to improve because you wore them for a year.
This matters most for how you talk to yourself while using one. 'I shouldn't need an alarm for this' is the sentence that gets tools abandoned,…
Putting tomorrow's envelope beside your keys only works if the keys are the only other thing there. On a counter covered in post, the envelope just becomes part of the pile.
So the placing is half the job and the clearing is the other half. Choose one surface that stays bare: a spot by the door, the passenger seat, the…
Looking for a whole subject rather than a single practice? Start from the nine areas.