Practices

There is more than one way into someone else's world. You can picture yourself in their place, picture them in it, or simply let their state affect you, and the three do not feel the same or lead to the same place.

Picturing yourself in their place tends to raise your own distress, which can leave you wanting relief more than wanting to help them. Picturing them…

Give yourself an instruction you can rehearse. Copy one thing about how the other person is holding themselves, once a day, and notice what follows.

Advice like be more understanding gives you nothing to practise. Advice like match their pace when they speak gives you something you can do on a…

Repeating back what your partner said proves you were listening. It does not prove you were touched by it, and they can tell the difference.

Reflective listening can be done perfectly and still land cold, because the words check the content while your face and body report that nothing…

Two people who spend time in step really do become more attuned. Nothing passes between your brains while it happens, though, so put the hours in rather than waiting for the wiring.

The phrase about brains wiring together is a picture, and a lovely one. What is actually available to you is ordinary: the same room, the same walk…

One of the earliest signs that you are drifting out of the present is that your hands and feet go vague. Not numb exactly, just less there.

It tends to happen before you notice you have gone anywhere. If you learn your own version of it, you get an early warning: a chance to press your…

Stand on one leg for a few breaths. Your body has to work to keep you upright, and that work is loud enough to feel on a day when nothing else registers.

Balance pulls in the joints, the inner ear and the muscles all at once, so it gives a far stronger signal than sitting still and hoping to notice…

When what is happening inside gets too loud, turn outward. Name what you can see, listen for the furthest sound, press your feet into the floor.

This is not avoidance. The outward senses and the sense of where your body sits both carry information about now, which is exactly what the flooding…

There is more than one way to feel your body. The outward senses, the inward signals like hunger and tension, and the sense of where your limbs are in space are separate channels, and on a hard day one of them will be easier than the others.

If tuning into your chest feels like too much, that is worth knowing rather than pushing through. You can go instead to what your feet are pressing…

Thirst, hunger, the ache of having sat too long: these are not nagging, they are instructions. When self-care keeps failing, it is often because the instruction never arrived.

People who have been through a lot sometimes stop registering the signal at all, and then eating, sleeping and resting all go sideways. If that is…

If you are going to bring attention to your body, start with where your body is rather than what it feels. Feet on the floor, back against the chair, the weight of your hands in your lap.

Attention to the inside, the chest, the stomach, the throat, sits close to the emotional wiring and can open more than you meant to open. Position in…

Your nervous system decides whether a room is safe before you have had a single thought about it. Tone of voice, a face, the way someone walks in: it reads all of that and answers underneath your awareness.

This is why you can leave a perfectly pleasant meeting wrung out, or take against someone who has done nothing you could point to. The reading is…

The reading happens without you, but you can catch up to it. Naming what your body has already concluded, out loud or in your head, is most of the work.

Something like: my shoulders came up when he walked in. That is all it needs to be. You are not deciding yet whether it was fair, you are bringing a…

An alarm system can be wrong in two directions. It can scream in a safe room, and it can stay silent somewhere it should not.

Most talk about trauma assumes the first: too much alarm, too often. But some people come out of hard years with the volume turned right down,…

One question does a lot of work: is what my body is doing right now a fair match for what is actually in front of me? Ask it plainly, and let the answer be either yes or no.

The point is not to talk yourself out of the feeling. The signal is information and it deserves a hearing. But you can hold it up against the room…

When someone is distressed, moving too fast to settle them can land as a message that their distress is not welcome here. Let them set the speed.

Offering a breath, a blanket, a change of subject: all of it can help, and all of it can arrive as a shutting down if it comes before the person has…

Cold water on your face, especially around the eyes and cheeks, slows things down fast. Splash it, or hold a cold flannel there for half a minute.

This is one of the few things that works when you are too far gone to concentrate on anything. It asks for no skill and no privacy beyond a tap. Lean…

Cross your arms over your chest, hook your thumbs together, and tap your shoulders slowly, left then right. You set the pressure and the speed.

Twenty or thirty seconds is enough to feel something shift, and most people find the breath falls into step with the tapping on its own. Warmth in…

You do not need a diagnosis to be worth teaching this to. Something that takes seconds, costs nothing and travels with you is worth having before you need it.

Practise it on an ordinary day, sitting on the bus or waiting for the kettle, so your hands already know it when the day is not ordinary. That is…

When you are helping someone settle, put the technique in their hands rather than your own. They tap themselves, they set the pressure, they stop when they want to.

Being touched by someone else, even kindly and with permission, asks a lot of a person whose body has been handled badly before. Self-administered…

Trace a square in the air with your finger while you breathe: in for four along the first side, hold for four, out for four, hold for four.

The counting slows the breath to roughly the rate that suits the heart best, and the tracing gives your eyes and hand something to do, which is…