Practices

Breath work goes straight into the body, and for some people that is the problem. If your panic has ever been about not getting enough air, putting your attention on your breathing can set it off rather than settle it.

Asthma, a history of choking or smothering, panic that arrives through the chest: any of these makes the breath a loaded place to put your attention.…

When you are flat rather than wound up, try this. Rub your palms together until they feel awake, let them rest, then breathe in as your arms lift and out as they lower, two or three times.

Sluggish, heavy, far away: those states rarely respond to more calming. A bit of friction in the hands, some movement through the arms and a fuller…

For when you are stuck in shutdown there is a faster practice: short sharp exhales driven from the belly, letting each in breath happen by itself, about twenty of them.

It is meant to rouse, so expect to feel more awake and a little buzzy afterwards rather than calm. Twenty is plenty. Sit down before you start so…

Telling yourself to calm down asks the part of you that has just gone offline to do the work. Have something practised and physical ready instead, something your hands and lungs can do without instructions.

Relax is a wish, not a skill. A skill is: breathe out for longer than you breathe in, six times. Or: unclench, both feet flat on the floor, shoulders…

When your mouth opens to shout, let the air go out slowly through pursed lips instead. Same body part, different job.

It helps that you are not being asked to do nothing. The mouth is already open and the breath is already moving, so you are redirecting something…

If you feel yourself rising, sit down. It is the smallest instruction in the whole toolkit and often the one that works.

Standing tall with a raised voice tells your own body that a fight is on, and it tells the other person the same thing, so they brace and match you.…

Your hand is already halfway there. From a clenched fist, keep the thumb and index finger touching and let the other three fingers open out.

It is the same hand doing nearly the same thing, so there is nothing new to learn at the worst possible moment. People often describe a small opening…

Rest your fingertips against one another and let your attention go to the place where they meet. It is a small piece of contact that is always available to you.

Anger sharpens the line between you and everything outside your skin, and everything on the far side of that line starts looking like a threat or an…

Fear pulls the in breath long. Relief runs the other way and comes out as a sigh, which is your body's own signal that the danger has passed.

Knowing the direction you are aiming in helps. When you are frightened or furious the breath gets pulled in, fast and high in the chest, because the…

The usual advice to take a deep breath can work against you. A big pull of air in rouses the very system you are trying to quiet.

Leave the in breath alone and lengthen only the out breath. Breathe in normally through the nose, let the air out slowly, then repeat without ever…

To make an out breath last longer without a big gulp of air first, make the opening smaller. Purse your lips, or send the air out through your nose.

The same amount of air through a narrower gap takes longer to leave, so you get a long exhale without a dramatic inhale to set it up. It also gives…

Counting to ten asks you to keep track of numbers at the exact moment you cannot keep track of anything. Breathe out slowly instead and let the breath do the delaying.

The count was only ever a way of buying a few seconds, and a long out breath buys the same seconds without needing anything from a mind that has gone…

A sigh opens the chest and drops the guard for a second. That is part of why it feels like relief and part of why the other person softens too.

Anger holds the body braced: shoulders up, chest closed, everything protecting the middle. A sigh undoes some of that, and it is hard to keep the…

Hum. You cannot hum without a long out breath, so the technique makes you do it right whether you are concentrating or not.

Most breathing instructions leave you judging whether your exhale was really slow enough, which is a poor thing to be assessing while you are…

While you hum, put your attention on the tickle in your nose and lips. There is not much room left for the argument once you are following that.

Two things happen in the same breath. The exhale stretches out, which settles the body, and the buzzing gives your attention somewhere plain to sit,…

In a hostile exchange, try a slow hmm instead of a reply. It sounds like someone thinking, and it puts a long out breath in the way of whatever you were about to say.

The sound we make when we are unsure is already in everyone's repertoire, and it reads as puzzlement rather than as a threat, so the other person has…

Take slow sips of water. You have to hold your breath for a moment to swallow, so your breathing slows down without you having to manage it.

This is why a glass of water helps more than it has any right to. Nobody has to tell you how to drink, and the slowing happens as a side effect of…

While you drink, follow the cold going down the back of your throat. It turns a sip into half a minute of attention resting somewhere other than the argument.

Telling yourself to observe your thoughts without judging them is a lot to ask mid conflict. Following a cold sensation is not. There is a real thing…

Keep a few purely physical moves in your kit: sip, hum, sit, look away. At the top of a flare, thinking your way out is the one thing that is not available.

The part of you that would weigh things up is exactly the part that anger has taken offline, which is why good arguments land so poorly at that…

When you are already angry, imagining your way into someone else's head asks the tired part of you to do the heavy lifting. Start with your body instead: look at their face, let your breathing and your shoulders come closer to theirs.

Perspective taking is a fine skill on a calm day. In the middle of a row it tends to slide into arguing with a version of the other person you have…