Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
1296 practicesArea
How long you have
Who it is written for
Where you are right now · Coping, mostly
On your own, or with someone
Theme
Approach
Ask what the you of a year ago would have done with this. Often the honest answer is that she would have turned it over for a week and let it go.
Change of this kind arrives so gradually that you stop noticing it, and then you treat today as the baseline and feel you have got nowhere. Take one…
There is a moment worth waiting for: when you can say what your anxiety does in your own words, without borrowing anyone's phrasing. That is usually when it starts to loosen.
One young woman put it as caring too much what people thought, when in fact they were all busy thinking about themselves. Nobody handed her that…
The steps that actually shift this are boring. Booking your own appointment, answering a call you would rather ignore, saying something to the person at the till.
People bracing for treatment often imagine being made to give a speech or walk into a party. It is almost never that. It is the same small…
Friends who know what this feels like are worth a great deal. Leaning on them as your therapy is a different thing, and it tends to go badly for everyone.
One young woman put the line in exactly the right place. She wanted people who understood her, and she did not want to use them as counselling. Being…
Being articulate is not the same as being alright. Plenty of people who talk easily one to one are barely holding it together in the rooms that actually frighten them.
This is where families and clinicians get it wrong most often. Someone speaks well in a quiet office, so the fear gets marked down as mild, and the…
When a step does not happen, cut the next one down without any speech about it. Smaller, and carry on.
Progress here is often slower than anyone would like, and that is the method working rather than the method failing. What does real damage is a run…
You will probably not feel yourself getting better. One day you will be halfway through a chat with a stranger and realise you are doing the thing you could not do.
This is worth knowing at the start, because the middle is where people decide nothing is happening and stop. The change comes in pieces too small to…
The famous count is not automatically your count. One teacher finds that adding a pause after the inhale wakes her up, while the plain long exhale has her asleep within three breaths.
Protocols get passed around because they worked for someone, often someone with a large audience. That is not the same as fitting you. Keep the shape…
Breath is the quickest way you have of turning your own nervous system up or down. Nothing else you can simply decide to do works on that timescale.
Your heart rate already rises slightly as you breathe in and falls as you breathe out, on every breath. So changing how you breathe changes something…
The rapid belly driven breath with pauses added is the strongest thing in this set. Not for high blood pressure, glaucoma, pregnancy or your period, and stop at once with pain or dizziness.
It has its uses for the flat, heavy state that comes over people after lunch or during a long low patch, because it pushes upwards rather than down.…
End a practice with a question rather than a conclusion. What do you notice works better than telling someone what should have happened.
If you announce that an exercise is calming, most people will agree with you whether or not it was. Asking leaves room for the honest answer,…
Put a hand just below your ribs and let it move. Most of us breathe up in the chest, and the settling effect comes from lower down, where the diaphragm can actually shift.
You can check this lying down with a book on your stomach. If the book rises, the breath is going where you want it. If only your shoulders move, it…
A child cannot watch their own breathing, so give them something to watch instead. Bubbles through a wand show the out breath as it happens: too hard and it bursts, too weak and nothing comes.
Smelling a flower and then blowing it out gives each half of the breath a picture. The bubble wand is better still, because it answers back straight…
There is no breath that calms everyone. The one that settles your friend may leave you worse, and that is information about your body rather than a failure in you.
Labels like calming or energising are a rough guide at best. What actually happens depends on how you usually breathe, what your body has been…
Start with a count of four in and four out, then drop the count. Once the rhythm is there your body will choose its own length: six and six, eight and eight, whatever settles you.
The count is scaffolding. Holding onto it too long turns the practice into something you can pass or fail, which is the opposite of the point.…
Rather than pulling in a big breath, breathe gently and slightly less than you want to, then wait. The deep breath that arrives by itself does more than the one you force.
Keep the breathing light and unhurried, and after a while a mild hunger for air builds. Let it build a little. At some point the body takes a fuller…
Holding your breath for a moment makes the next one deeper, which sounds backwards until you know why. The urge to breathe is driven by carbon dioxide, not by a shortage of air.
Sensors in the brainstem watch the level of carbon dioxide in your blood, and a pause, especially after breathing out, lets it rise a little. The…
The three ordinary breaths between rounds are not a gap in the practice. They are where you find out what the practice did.
Come back to normal breathing and check the body, the thoughts, the mood, the energy. Do not analyse it, just register it. Going round after round…
To find the soft ocean sounding breath, breathe out through your mouth as if fogging up a mirror. Then keep that same slight narrowing at the throat with your mouth closed, and let the sound get quieter and quieter.
Starting with the mirror gives you something to do instead of an anatomy lesson about a part of the throat you cannot see. Once the mouth closes, the…
Close your right nostril with your thumb and breathe in through the left. Swap fingers at the top, breathe out through the right, in through the right, then out through the left. That is one round.
The fiddliness is not a flaw in the design. Keeping track of which nostril and which stage takes up just enough of your mind that there is little…
Looking for a whole subject rather than a single practice? Start from the nine areas.