Practices

Stand on one leg for a few breaths. Your body has to work to keep you upright, and that work is loud enough to feel on a day when nothing else registers.

Balance pulls in the joints, the inner ear and the muscles all at once, so it gives a far stronger signal than sitting still and hoping to notice…

There is more than one way to feel your body. The outward senses, the inward signals like hunger and tension, and the sense of where your limbs are in space are separate channels, and on a hard day one of them will be easier than the others.

If tuning into your chest feels like too much, that is worth knowing rather than pushing through. You can go instead to what your feet are pressing…

If you are going to bring attention to your body, start with where your body is rather than what it feels. Feet on the floor, back against the chair, the weight of your hands in your lap.

Attention to the inside, the chest, the stomach, the throat, sits close to the emotional wiring and can open more than you meant to open. Position in…

Your nervous system decides whether a room is safe before you have had a single thought about it. Tone of voice, a face, the way someone walks in: it reads all of that and answers underneath your awareness.

This is why you can leave a perfectly pleasant meeting wrung out, or take against someone who has done nothing you could point to. The reading is…

The reading happens without you, but you can catch up to it. Naming what your body has already concluded, out loud or in your head, is most of the work.

Something like: my shoulders came up when he walked in. That is all it needs to be. You are not deciding yet whether it was fair, you are bringing a…

An alarm system can be wrong in two directions. It can scream in a safe room, and it can stay silent somewhere it should not.

Most talk about trauma assumes the first: too much alarm, too often. But some people come out of hard years with the volume turned right down,…

One question does a lot of work: is what my body is doing right now a fair match for what is actually in front of me? Ask it plainly, and let the answer be either yes or no.

The point is not to talk yourself out of the feeling. The signal is information and it deserves a hearing. But you can hold it up against the room…

You do not have to close your eyes. If keeping them open, soft and lowered, is what lets you stay in the room, that is the better version for you.

Closing your eyes takes away your ability to check the room, and for anyone whose body is used to watching, that costs more than it gives. Make it an…

The body answers in sensations, in pictures, in a mood that turns up without explanation. If no words come when you check in, nothing has gone wrong.

People often decide they are bad at this because they went looking for a sentence and found a tight jaw instead. The tight jaw is the answer. Take…

If a few quiet minutes with your body turn up an ache or a tightness you had not noticed before, the practice has not made things worse. It has shown you something that was already there.

This catches a lot of people out. They sit down hoping to feel calmer, meet a knot in the stomach instead, and decide the whole thing is not for…

If you are moving attention through the body, start at the feet and work up. Leave the throat, the chest and the face until last.

The far edges of the body carry less charge, so they are a gentle place to find your bearings. Include the back, which people tend to skip: attention…

There is a difference between watching your hand and being in your hand. See whether you can move from looking at a part of your body to living inside it.

Observing keeps a small distance, which is useful early on and can quietly become the whole practice. Inhabiting is the further step: filling the…