Anger

That small press of your own finger does two jobs. It marks the thought, and it gives you a bit of contact with yourself while everything around you is loud.

Your own touch is easy to overlook as a comfort. A hand on your knee, a thumb pressed into a palm, arms folded across your chest: quiet things people…

If the language of mindfulness puts you off, drop the language. Call it noticing what your mind is doing, and use it anyway.

Some people hear anything that sounds spiritual and close the door, and then a useful skill goes unused over a word. There is nothing here you have…

You can be in full control of what you do and still be burning inside. Calm is not the entry requirement.

People write themselves off because they still feel angry, as though the goal were to stop feeling it. The goal is narrower and much more reachable:…

Scratching an itch makes it itch more. Acting on anger works the same way, and each round leaves you needing the next one.

The relief is real and it is very short, and then the thing comes back stronger. This is why letting rip does not empty the tank the way people…

If steady sounds like soft to you, notice who actually holds a room. It is not the one who goes off first.

Words matter here more than they should. Call it wise and some people hear weak, and reject the skill along with the label. Whatever you call it, the…

Learn a new practice in that order: the picture of what it is, then the plain steps, then actually doing it. Knowing what is coming settles most of the resistance before it starts.

Say to yourself, or to the person you are teaching, that in a minute the talking stops and the doing begins. It sounds trivial and it removes the low…

Think of your mind as a river and yourself as someone sitting on the bank. Thoughts, feelings, aches, pictures and urges all go past in the current, and you are the one on the grass watching them go.

The point of the image is that it gives you somewhere to sit. Being told to observe your thoughts is abstract, while a bank and a river gives your…

You can sit on a bench a few feet from a waterfall and be perfectly safe. Step in and you go over. Feeling something powerful is not the danger, and getting swept into it is.

This is why the aim is never to keep away from what upsets you. You can be right up close to a feeling, hearing it roar, and still be the one on the…

Look inside. The moment you catch something going past, put a small dot on the paper and go back to looking. That is the whole exercise, over and over.

The dot is doing something specific: it turns a private, slippery moment of noticing into an act you can see and count. No words, no keeping score,…

Do not write down what the thought was. No words, no summaries, just the mark. This is not journaling and nobody is going to ask you what came up.

The moment you start describing a thought you are back in the water with it, sorting and explaining and defending. What you are training is the…

Afterwards, ask what that was like rather than whether it worked. Every answer is usable, including the ones that sound like complaints.

People come back with all sorts: restful, stressful because my head is so fast, mostly sounds and aches rather than thoughts, strangely reassuring.…

If you finish and say you managed to calm your mind down first, something has quietly slipped. You are not cleaning the water or blocking the flow, you are only sitting beside it.

This matters because a practice built on making yourself calm works fine on an easy evening and collapses on the night you need it. Let the river be…

Trying to control what cannot be controlled is what makes a person feel out of control. Let the uncontrollable part be, and a surprising amount of control comes back.

Balance something on your fingertip and you will feel it: the harder you chase it, the more it wobbles. Feelings and thoughts behave the same way.…

The river is different every minute. The one sitting on the bank is the same one who sat there ten years ago, and will be there in ten more.

This is the part that offers something to people whose sense of themselves rises and falls with how they were treated that day. If who you are is the…

Once the plain version is familiar, try sorting instead of dotting: T for a thought, F for a feeling, S for a sensation, V for something you see, I for an urge.

Write the key at the top of the page so you are not holding it in your head. The sorting is useful because putting a rough name to something is often…

If you want to start noticing what goes on inside you, start with the urges. The pull to speak, to stand up, to say the cutting thing: those have a push behind them that thoughts and moods do not.

Thoughts slide past before you can get hold of them, feelings blur into each other, and body sensations are vague. An urge announces itself, because…

Try sorting whatever passes through your mind into three: good for me, bad for me, or neither. That third option is real, and most of us forget it is there.

Your mind tags things before you have had any say in it, and anger tends to follow the tag rather than the event itself. Sitting for a few minutes…

A compliment and an insult are both just somebody's opinion arriving. Either one can land as a plain fact of the day rather than as a verdict on you.

This is easier to practise with praise, because praise feels harmless. Notice how much you want the good tag and you begin to see why the bad one has…

Being unbothered by your own thoughts and being unbothered by another person are two separate skills. Getting good at the first does not hand you the second.

You can sit quietly and watch your own mind with real steadiness, then lose the lot the moment somebody smirks at you. That is not backsliding. It is…

If watching your mind feels too open, rest your attention on your breathing instead. Do not deepen it or slow it down. Just feel the breath you are already taking.

Managing the breath turns it into one more thing to get right, and for some people close attention to the body winds them up rather than settling…