Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
8 practicesHow long you have
Who it is written for
Where you are right now · Getting ready for something
On your own, or with someone · Both of us together
Being shown a breathing technique is not the same as being able to use one. Practise it while nothing is wrong, often enough that it runs without you having to remember the order.
At the height of fear the only skills within reach are the overlearned ones. Something demonstrated once in a quiet room will not turn up in a school…
Run it in your head first, then act it out with someone safe, then do it for real. It is a preseason, and nobody thinks the preseason is cheating.
Each round adds a little pressure while help is still to hand. Imagining it stirs the fear enough to show whether your plan holds up. Acting it out…
What you expect from a treatment shapes what you get from it. That is worth a conversation before you start, not months later when it has not worked.
If you are beginning something new and half of you thinks it is nonsense, say so. A doubt that stays unspoken tends to come out as a missed…
Before you practise something exposing with someone, say out loud what is not at risk. I will not think less of you, and nothing between us changes here.
It sounds obvious and it does a great deal of work. If the relationship really is on the line, then the discomfort is not symbolic and no amount of…
A good deal of what stings in a tense moment is what you imagine the other person is thinking. Sitting inside a silence and watching your own mind fill it shows you that plainly.
Practitioners run this on purpose. Half a minute or so of held silence, with the client asked to notice what happens inside them. Since nothing is…
Run the same moment twice. The second time, change nothing except what you do with it, and let yourself not mind what the other person might be thinking.
Keeping the situation identical is the point, because then the only thing that moved was you. In a session that means the same silence and the same…
Practice gets more useful when someone is really watching. It also gets harder, so agree that part before you begin instead of adding it once the person is already in the middle of it.
An audience raises the stakes in a way that makes the rehearsal more like life, which is exactly why it helps. It is also where consent gets…
The shape of the whole thing is simple. Find the judgement that stings, meet it, talk it through, meet it again with a different intention, talk it through, then mark that you did it.
The talking between rounds is not a break, it is where the moment turns into something you can use. Marking it at the end matters too. Saying plainly…
Looking for a whole subject rather than a single practice? Start from the nine areas.