Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
16 practicesHow long you have
Who it is written for · Me
Where you are right now · Getting ready for something
On your own, or with someone
Theme · Practising under provocation
Before you practise something exposing with someone, say out loud what is not at risk. I will not think less of you, and nothing between us changes here.
It sounds obvious and it does a great deal of work. If the relationship really is on the line, then the discomfort is not symbolic and no amount of…
Whatever line you plan to use on yourself in a hard moment, say it in your own words rather than tidy ones. Polished phrasing tends to evaporate exactly when you need it.
If your inner voice is blunt, let the line be blunt. A therapist working this way will sometimes ask for the crude version of a coping phrase instead…
Before anyone does something exposing, let them check their own conditions and give them a clean way to say no. A public yes given under pressure is not really a yes.
It can be as ordinary as asking someone to consider whether they have the privacy, the time and the state of mind for this today. Ask it first and…
Call the practice whatever fits you. Stress inoculation, rolling with the punches, a Teflon mind, the art of not giving a damn: the name changes nothing about what you do, and a name you can stand makes you likelier to do it.
People come to this with different histories and some of them have been lectured before. If the language sounds like a self help poster to you, use…
Treat these as experiments rather than instructions. You are not obeying a programme, you are finding out what happens, and that difference changes how it feels to do them.
People who are quick to anger are often also quick to bristle at being told what to do, and a challenge sits far better with that than a homework…
Before you go looking for practice at staying steady, make sure you already have something to do instead of your usual reaction. Practising with nothing to put in its place mostly rehearses the old response.
Pick the alternative first and keep it small: a slow breath, one fixed phrase, a decision to say nothing until your hands unclench. Then you can let…
Ask yourself what you would least like the person in front of you to be thinking about you right now. Whatever surfaces is usually what your anger has been guarding.
It tends to be one short sentence and an old one. That you are weak. That you are stupid. That you do not matter. In a session a therapist can ask…
A good deal of what stings in a tense moment is what you imagine the other person is thinking. Sitting inside a silence and watching your own mind fill it shows you that plainly.
Practitioners run this on purpose. Half a minute or so of held silence, with the client asked to notice what happens inside them. Since nothing is…
Almost everyone says the same thing afterwards, that the waiting was worse than the thing itself. Say it out loud in your own words, because your own words land differently from anyone else's reassurance.
Before a difficult conversation, write one line about how bad you expect it to be. Afterwards, write one line about how it actually went. Over a few…
Run the same moment twice. The second time, change nothing except what you do with it, and let yourself not mind what the other person might be thinking.
Keeping the situation identical is the point, because then the only thing that moved was you. In a session that means the same silence and the same…
Practice gets more useful when someone is really watching. It also gets harder, so agree that part before you begin instead of adding it once the person is already in the middle of it.
An audience raises the stakes in a way that makes the rehearsal more like life, which is exactly why it helps. It is also where consent gets…
Rather than manufacturing a calm you do not feel, borrow one you have really had. Bring a settled memory to mind and hold it against the thing that usually stings.
Actors do this instead of faking a feeling: they call up a real moment and attach it to the cue until it starts arriving on its own. The same works…
Pick the calm memory with some care. Sun on a beach, a bike ride, someone cleaning up a scraped knee: what matters is that it is genuinely safe ground for you.
Childhood scenes are often the most vivid, which is what makes them useful and also why they can misfire. If your early years were not safe, a prompt…
Steadiness under provocation is built the way immunity is, in small doses taken on purpose, at a size you can still handle. Waiting for a real fight to test yourself is too big a dose to learn anything from.
In practice that means choosing something that stings a little and staying with it rather than swerving: the colleague whose tone you brace against,…
What you are proudest of will tell you where you are most easily wounded. The two grow on the same root.
Write down two or three things you would hate to be thought about you, then look at where they meet your ordinary week. Who is likely to imply it, in…
The shape of the whole thing is simple. Find the judgement that stings, meet it, talk it through, meet it again with a different intention, talk it through, then mark that you did it.
The talking between rounds is not a break, it is where the moment turns into something you can use. Marking it at the end matters too. Saying plainly…
Looking for a whole subject rather than a single practice? Start from the nine areas.