Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
5 practicesHow long you have · A minute
Who it is written for
On your own, or with someone
Theme · Being seen and judged
Approach
When · Any ordinary day
Try this with someone you trust. They say a word, you say the first word back, fast, ten or so in a row. Black, white, mum, dad, sky. Then notice that nothing strange came out of you.
Underneath a lot of social fear sits the belief that speaking without preparing will let something humiliating escape. A minute of quick word…
Next rung: remark on something in the room. The plant, the noise outside, the length of the queue. Nothing about the person yet, just something out loud about where you both are.
It is the lowest stakes opening there is, because the subject is neutral and the other person can pick it up or leave it. Most of the time a small…
When you are ready, make it personal and small. Something you noticed about the person in front of you, said lightly, is the rung most people dread and most need.
Personal remarks are the feared category, because they cannot be passed off as neutral. Do it first with someone safe, a therapist, an easy relative,…
Rehearsing your lines makes things worse rather than better. It hands you a fresh way to fail, delivering the line wrong, on top of the conversation you were already dreading.
A script is a safety behaviour. It quietly confirms that unrehearsed speech is dangerous, and it gives you a second job to do while talking:…
When something good comes out of a conversation you started, say plainly that you started it. Chance may have put the person there. You were the one who spoke.
One young woman asked a contact, in passing, whether a gallery owner needed any help. The question turned into an application and then an internship,…
Looking for a whole subject rather than a single practice? Start from the nine areas.