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Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Got drowsy doing it? Nothing has gone wrong. Your body has decided there is no threat here, which was rather the point.
People apologise for getting sleepy, as though they failed to concentrate hard enough. The heaviness is your alarm system standing down, and it is a…
Most of us think there are two things to do with anger: hold it in or let it out. There is a third, which is to stop, stay still, and watch it without doing either.
Holding it in has you clamped shut and seething. Letting it out has you saying things you will be repairing for weeks. The third one feels like doing…
To react is to act again. Some of what fires in you belongs to an older scene, and the person in front of you has simply walked into it.
This is not a way of excusing what you do, it is a way of aiming the work. When a reaction is far bigger than the moment deserves, ask what it…
In a bad moment your attention, your seeing and your remembering all narrow onto the threat. So your memory of the row is a partial recording, and so is theirs.
Worth holding on to before you go back over who said what. Neither of you is necessarily lying when the two accounts differ. Starting with here is…
If waiting has always been hard for you, and your attention has always been restless, that belongs in the anger picture rather than in a separate story.
Looking for a whole subject rather than a single practice? Start from the nine areas.
Irritability, reactivity and a mind that will not settle often arrive as a set. Working on the anger while ignoring the attention leaves the ground…