Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
109 practicesHow long you have · Five minutes
Who it is written for · A practitioner
Where you are right now
On your own, or with someone · Both of us together
Theme
Approach
Some true things cannot be said early. A reframe that would land well in the tenth conversation will end the second one.
Ideas about what really drives harm, or about a person being more than the worst thing they have done, are easily heard as excusing it or as blaming…
Ask it plainly. Do you think you are a threat to anyone you love? A vague anger problem turns into something workable the moment it has a name attached to it.
Then keep going, because the follow up questions carry most of the weight. Has there been any thought of killing someone, or of dying. What is in the…
Hurting yourself is not always about coping. Sometimes it is aimed at somebody else, and until you know which it is you cannot know what would help.
This is uncomfortable to ask about and it is not an accusation. An act can be a way through an unbearable hour, or a message to someone who has…
See what you made me do to myself. When self-harm is carrying a message like that, naming the message is not dismissing it, it is looking for the thing that could be said instead.
The question can be asked kindly and straight. Do you ever get angry enough with them to want to hurt yourself so that they feel it. People often say…
An act meant to be heard rather than to end a life can still end one. Whatever you believe about the intent, lethality is a separate question and it always gets asked.
The ways this happens are ordinary and awful. A method more dangerous than the person realised. The friend who was meant to arrive, arriving late. A…
Good help leaves you more able to do it yourself next time. If the whole thing only works while the other person is in the room, something has gone sideways.
There is a real difference between someone building your schedule for you and someone sitting beside you while you build it. The second is slower and…
If a course has no fixed time, give it one. Write down which day and which hour you will watch it, put that in the calendar as though somebody else set it, and tell one person.
Five minutes every Sunday: when am I watching this, and when am I doing the work that comes after it. Then one short message midweek to whoever is…
When you agree to something, agree who follows up. Do you tell them if it slips, or do they check in with you?
Most of the hurt around late work comes from nobody having said. You assume they will ask, they assume you will speak up, and the silence in between…
There is a kind of anger that floods a room and a kind that arrives with a request inside it. The second one gets answered.
The difference is audible before it is anything else: the voice steadier, the sentence shorter, an actual ask at the end of it. I am angry, and what…
Say the frightened thing rather than the sharp thing. It is far more exposing and it is the only version that tends to get a kind reply.
Under most rows sits something like I think there is something wrong with me, or I have already lost you and I am pretending I have not. Sharp words…
Going numb is a good way to survive something and a poor way to live near someone. It shuts the line in both directions at once.
When you cannot feel your own signal you also stop picking up theirs, so the room goes quiet even when they are reaching for you. The loneliness that…
When someone pours out a lot at once, catch the two or three words carrying the weight and give those back to them, in order.
You said you felt cold in your own house, and like a nuisance. Nothing added, nothing solved. It sounds almost too simple, and it does the thing a…
Let what they say land in you before you answer. The word that catches somewhere in your own chest is usually the live one.
Cold. Empty. A nuisance. Take each one for a second rather than sailing past it to the reply. Then give back the one that carried the charge, and you…
I am used to it is not the same as I feel nothing. It usually means a great deal of practice at feeling nothing, and that practice costs something.
Believe the person when they say they are used to it, and hear what is inside the sentence: this has happened often enough that they have built…
When somebody says they just get on with it, take the getting on with it seriously. That is the door, and arguing with the nothing is a wall.
This happens a lot, I just roll with it, I forget about it: there is a whole strategy in that sentence and it is visible, unlike the feeling…
Repeating back what your partner said proves you were listening. It does not prove you were touched by it, and they can tell the difference.
Reflective listening can be done perfectly and still land cold, because the words check the content while your face and body report that nothing…
The thing worth admitting is not that you were angry. It is what you were frightened of underneath it: being made a fool of, being left, being counted as useless.
Anger is the easy half to say and it rarely lands well. The fear underneath is harder to say and it is the part that gets you heard. One sentence…
You do not have to jump straight to understanding. Try the step before it: hands open, honestly puzzled, help me see what just happened here.
It has to be a real question. The rhetorical version, asked with your jaw set, makes things worse and both of you know it. Ask, then stay quiet long…
Their account makes sense from where they are standing. So does yours. Granting the first does not cost you the second.
This is the part people refuse, because they hear it as folding. It is not. You can say plainly that from where they sat it looked like that, and…
You can be completely right and still lose the room. Usually the trouble is not the point you are making, it is the edge you are making it with.
Softening how you say something is not conceding it. It is the difference between being heard and being braced against. Listen for the tells in your…
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