Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
11 practicesHow long you have
Who it is written for
Where you are right now
On your own, or with someone · Both of us together
Theme · Emotions as signals
If someone is saying so much that you have lost the thread, stop them kindly and check. Sorry, that is a lot and it matters, can I say back what I have got so far.
It feels rude and it is usually received as the opposite, because it says the words were worth keeping. Listening while quietly drowning helps…
There is a kind of anger that floods a room and a kind that arrives with a request inside it. The second one gets answered.
The difference is audible before it is anything else: the voice steadier, the sentence shorter, an actual ask at the end of it. I am angry, and what…
Say the frightened thing rather than the sharp thing. It is far more exposing and it is the only version that tends to get a kind reply.
Under most rows sits something like I think there is something wrong with me, or I have already lost you and I am pretending I have not. Sharp words…
Going numb is a good way to survive something and a poor way to live near someone. It shuts the line in both directions at once.
When you cannot feel your own signal you also stop picking up theirs, so the room goes quiet even when they are reaching for you. The loneliness that…
When someone pours out a lot at once, catch the two or three words carrying the weight and give those back to them, in order.
You said you felt cold in your own house, and like a nuisance. Nothing added, nothing solved. It sounds almost too simple, and it does the thing a…
Let what they say land in you before you answer. The word that catches somewhere in your own chest is usually the live one.
Cold. Empty. A nuisance. Take each one for a second rather than sailing past it to the reply. Then give back the one that carried the charge, and you…
I am used to it is not the same as I feel nothing. It usually means a great deal of practice at feeling nothing, and that practice costs something.
Believe the person when they say they are used to it, and hear what is inside the sentence: this has happened often enough that they have built…
When somebody says they just get on with it, take the getting on with it seriously. That is the door, and arguing with the nothing is a wall.
This happens a lot, I just roll with it, I forget about it: there is a whole strategy in that sentence and it is visible, unlike the feeling…
Emptying the feeling out at somebody does not shift it, and being told what to do instead skips over it. What changes things is feeling it with someone who stays.
You can tell the difference from the inside. Venting has a rehearsed quality, the same phrases coming round again with the heat kept up. Advice…
You cannot taste food you are eating fast. Feeling works the same way, so slow the pace until there is something to actually notice.
In practice that means one sentence at a time, with a pause after it, and questions like what happened in you just then. Both of you will want to…
When you are trying to reach a feeling, stay with the actual sentence that caused it rather than paraphrasing it into something milder.
She said you are too difficult. Said again, gently, it keeps the moment alive in the room instead of turning it into a memory being reported.…
Looking for a whole subject rather than a single practice? Start from the nine areas.