Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
1888 practicesArea
How long you have
Who it is written for · Me
Where you are right now
On your own, or with someone · On my own
Theme
Approach
Low mood that arrives with bloating, fatigue and a foggy head is worth looking at from the food side too. An immune reaction to something you eat regularly can produce all three, and it gets labelled depression far more often than it gets tested.
The point is not to start cutting foods out on a hunch. It is to say the possibility out loud to a doctor, particularly if the gut symptoms and the…
When something has gone wrong across several systems, expecting one treatment to fix it is usually the mistake. Movement, processing what happened, changes to food and work on calming the body tend to add up in a way that none of them manages alone.
This is not an argument for doing everything at once until you are exhausted. It is an argument against giving up on the whole idea when the first…
Every feeling comes with something it wants you to do. Catching the move before you make it is most of the skill.
Anger wants to push, fear wants to get out of the room, sadness wants to curl up, shame wants to disappear. None of that is wrong, and the trouble is…
You do not need a long list of feeling words. Half a dozen you can actually reach for under pressure will do more than forty you have to look up.
Angry, sad, afraid, ashamed, surprised, glad is enough to start with, and most hard moments are some mixture of the first four. The aim is not to…
You cannot ask for something you cannot feel the want of. Before working out how to say it, spend a minute finding what you actually need.
This is why advice to communicate better so often goes nowhere. The words come out tidy and land as nothing, because there was no felt need inside…
Ask what the feeling is trying to do for you. Anger clears an obstacle, fear gets you out, sadness calls for comfort, shame hides you from being seen.
Once a feeling has a job it stops being a defect you have to apologise for. That matters, because the ones we treat as shameful are precisely the…
Nobody ever came for help because they were too happy. What arrives as irritation or flatness on the surface is usually fear, grief or shame underneath.
So when someone snaps at you, or when you go cold and clipped yourself, treat that as the top layer rather than the whole story. The useful question…
Go back to the second before you reacted. Not the argument, not the history, just that one second and what crossed you in it.
Most people have to genuinely search for the answer, and the searching is where the work happens rather than in whatever they eventually say.…
Often nothing is buried. The pieces are all there, they have simply never been put next to each other.
This hurts but I do not know why usually means the event, the feeling in the body and the meaning are being held separately. So join them up out…
If the size of the feeling does not match the size of what just happened, it is probably carrying something older into the room.
Feeling has no real sense of when. An old injury arrives in the present body with all its original force, which is why a small remark can flatten…
If all you can say is that you want to get away, that is already information. Nobody moves away from nothing, so somewhere in there is something that felt hard.
You do not need to know what it is yet. Hold the smaller version for a while: something here is difficult, and the pulling back is how I have been…
When all you can say is that something happened and you went off, take it apart in five pieces: what set it off, how you read it, what your body did, what you made it mean, and what you wanted to do next.
Written out on paper it usually stops being a blur. You often find the trigger was small and the meaning was enormous, or that your body was already…
Going deeper into a feeling only helps if it is being put in order at the same time. Depth without order is just flooding.
So as the feeling rises, keep laying it out: this is what happened, this is what my body did, this is what I was afraid it meant. If your chest is…
Take one episode from this week and give it five lines: what set it off, how you read it, what happened in your body, what you took it to mean, and what you wanted to do.
Doing this with an actual event, rather than in general, is what makes it useful. Keep the lines short and resist tidying them into something more…
When you are already angry, imagining your way into someone else's head asks the tired part of you to do the heavy lifting. Start with your body instead: look at their face, let your breathing and your shoulders come closer to theirs.
Perspective taking is a fine skill on a calm day. In the middle of a row it tends to slide into arguing with a version of the other person you have…
If you can do a cutting impression of someone, you already own the machinery for empathy. It is the same copying, pointed somewhere else.
People who get angry often are usually sharp readers of other people. They catch the tone, the face, the walk, and can play it back exactly. Try that…
Find a photograph of someone caught unguarded, ashamed or frightened or relieved, and look at it for a while. Notice what happens in your chest and around your own eyes.
Most of the time we glance at a face and move straight on. Holding your gaze long enough for something to stir is a small test of whether the feeling…
A good story about the brain is not evidence. Before you pass one on, especially to people who trust you, it is worth knowing whether it happened the way you tell it.
The famous account of how mirror neurons were found gets retold with the wrong animals and with details that could not have happened as described.…
It is tempting to decide that a cruel person simply came without the wiring for feeling. That story is far more confident than the research allows, and it quietly excuses you from seeing them as a person.
Low empathy is real and it does relate to aggression, but it is one strand among several rather than a switch that is on or off. The moment you file…
The real feeling usually crosses someone's face for less than a second before the polite version arrives. If your attention is elsewhere, the polite version is all you will ever meet.
This is why paying attention is not a separate hobby from being kind. They are the same work. Put the phone face down, look up when someone starts…
Looking for a whole subject rather than a single practice? Start from the nine areas.