Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
1061 practicesArea
How long you have
Who it is written for · Someone I care about
Where you are right now
On your own, or with someone · On my own
Theme
Approach
Picture a machine set to strike at anything that even slightly resembles a threat. It would hit the postman, the neighbour's dog and, sooner or later, a child in a muddy coat.
A low threshold feels like safety and is not. Every false alarm costs you something, and since the people nearest the sensor are the ones you live…
Not taking things personally is a question rather than a personality. The question is short: was that aimed at me, or was I simply standing there?
A lot of what lands on you was already travelling. The bad mood was made at work, or three years ago, or by whoever spoke to them just before you…
When somebody's voice climbs, let yours stay where it is. Staying level is not backing down, and in the room it usually reads as the stronger position.
Slow breathing, standing still, looking interested rather than braced: none of that is passive and none of it is agreement. An argument escalates…
The aim is to become more exact rather than more serene. Is this rudeness or tiredness, a slight or a coincidence, this person or the whole category they remind you of?
Exactness is something you can actually do, whereas calm is not available on demand. Ask what specifically happened, who exactly did it, and what…
If you are on autopilot, the part of you that would notice is asleep as well. So do not count on waking yourself in the moment, arrange for something outside you to do the waking.
That might be a practice kept at fixed times, a phrase agreed with someone at home, a note left where you will genuinely see it, or a plain if this…
Some triggers make no sense because the memory attached to them is long gone while the alarm is still wired in. A tone of voice, a particular shirt, the smell of dinner burning.
If you find yourself furious out of all proportion, look at the features rather than the story. What did that moment sound like, look like, feel like…
Anger is the most physical of the feelings. It goes straight into the muscles, so talking yourself out of it while your arms are already ready to move is hard work.
This is why advice that stays in the head tends to slide off anger in particular. Something has to change in the body as well: the breath slowed, the…
Anger has a shape you can learn: jaw tightening, breathing heavier, heat in the face, and often a strange busyness in the hands. Find your own two or three.
The hands are worth watching, because they tend to say something before you do. Fingers curling, a grip tightening on the steering wheel, a mug held…
Clench your fist a few times, then open it a different way each time: fingers first, thumb last, slowly, all at once. The second half is the harder half, and it is the whole exercise.
Clenching runs itself. Opening on purpose takes a small piece of attention back from the automatic. It fits in a pocket, nobody at the table can see…
Watch your hands. A fist that has closed without you deciding to close it is often the earliest honest report you get that you are angry.
Being told to notice when you are getting angry rarely works, because noticing is the first thing anger takes away. One specific, checkable place is…
Trace a slow circle with your finger, on your knee or in the air, once a day. One a day is the whole prescription, which is why it survives contact with real life.
A small movement done daily becomes a handle. After a few weeks the gesture starts to bring a little of the settled state with it, and you can use it…
Telling yourself to calm down asks the part of you that has just gone offline to do the work. Have something practised and physical ready instead, something your hands and lungs can do without instructions.
Relax is a wish, not a skill. A skill is: breathe out for longer than you breathe in, six times. Or: unclench, both feet flat on the floor, shoulders…
By the time you feel angry, your body has been at it for a few seconds already. Anything that starts with noticing is always starting from behind.
That is not a reason to give up on noticing. It is a reason to have something ready that does not need much noticing to begin. A rehearsed routine,…
When your mouth opens to shout, let the air go out slowly through pursed lips instead. Same body part, different job.
It helps that you are not being asked to do nothing. The mouth is already open and the breath is already moving, so you are redirecting something…
If you feel yourself rising, sit down. It is the smallest instruction in the whole toolkit and often the one that works.
Standing tall with a raised voice tells your own body that a fight is on, and it tells the other person the same thing, so they brace and match you.…
Your hand is already halfway there. From a clenched fist, keep the thumb and index finger touching and let the other three fingers open out.
It is the same hand doing nearly the same thing, so there is nothing new to learn at the worst possible moment. People often describe a small opening…
Rest your fingertips against one another and let your attention go to the place where they meet. It is a small piece of contact that is always available to you.
Anger sharpens the line between you and everything outside your skin, and everything on the far side of that line starts looking like a threat or an…
The out breath is the part that quiets things down. Cells in the brain's alarm centres behave differently across the two phases of a breath, and breathing out is the calming side of that cycle.
This is why nearly every breathing technique that works has a long exhale somewhere inside it. You do not need the anatomy to use it, but knowing why…
Fear pulls the in breath long. Relief runs the other way and comes out as a sigh, which is your body's own signal that the danger has passed.
Knowing the direction you are aiming in helps. When you are frightened or furious the breath gets pulled in, fast and high in the chest, because the…
The usual advice to take a deep breath can work against you. A big pull of air in rouses the very system you are trying to quiet.
Leave the in breath alone and lengthen only the out breath. Breathe in normally through the nose, let the air out slowly, then repeat without ever…
Looking for a whole subject rather than a single practice? Start from the nine areas.