Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
43 practicesHow long you have · Five minutes
Who it is written for · My husband or wife
Where you are right now
On your own, or with someone
Theme
Approach
If the same crunch arrives every month, another talk about it will not shift next month. It was never a shortage of information.
For partners this is a hard one, because the frustration is completely fair. But a lecture adds shame to something that already feels unpleasant, and…
If your break turned into disappearing for the night, look at it as fear rather than as a discipline problem. Anger is often a way out of feeling afraid, and so is running.
Shame teaches badly here. Telling yourself you failed at the skill tends to produce more heat, and heat is the thing you were trying to leave behind.…
If you take a break from a fight, name when you will come back, and come back.
Give me twenty minutes, I am not leaving this. Then return, calmer, as promised.
There is a kind of anger that floods a room and a kind that arrives with a request inside it. The second one gets answered.
The difference is audible before it is anything else: the voice steadier, the sentence shorter, an actual ask at the end of it. I am angry, and what…
Nobody ever came for help because they were too happy. What arrives as irritation or flatness on the surface is usually fear, grief or shame underneath.
So when someone snaps at you, or when you go cold and clipped yourself, treat that as the top layer rather than the whole story. The useful question…
Say the frightened thing rather than the sharp thing. It is far more exposing and it is the only version that tends to get a kind reply.
Under most rows sits something like I think there is something wrong with me, or I have already lost you and I am pretending I have not. Sharp words…
Go back to the second before you reacted. Not the argument, not the history, just that one second and what crossed you in it.
Most people have to genuinely search for the answer, and the searching is where the work happens rather than in whatever they eventually say.…
Once the feeling is actually in the room, ask the plain question: what did you hear her saying about you? The answer is usually where the sting really lives.
A comment about the washing up does not floor anyone by itself. It floors you because of what you heard underneath it, something along the lines of…
Watch for the swerve. Right after something tender gets said, along comes a story about a brother or a colleague or a thing from years ago, and the tender part quietly gets left behind.
Swerving is not dishonesty. It is what people do when a feeling gets close, and it works, which is exactly why it is so easy to follow along.…
If a conversation has wandered off and you have lost the thread, go back to the last thing that had real feeling in it, and go back using the words they used.
Not a summary of those words. The actual phrase: 'you said she has her standards and you will never meet them, and your eyes went red when you said…
You do not have to reflect back everything a person just told you. Pick up the part that carries the weight and say that much.
A long, careful summary can flatten what someone has just risked saying. If the heart of it is that he feels defeated and frightened of never being…
Repeating back what your partner said proves you were listening. It does not prove you were touched by it, and they can tell the difference.
Reflective listening can be done perfectly and still land cold, because the words check the content while your face and body report that nothing…
The thing worth admitting is not that you were angry. It is what you were frightened of underneath it: being made a fool of, being left, being counted as useless.
Anger is the easy half to say and it rarely lands well. The fear underneath is harder to say and it is the part that gets you heard. One sentence…
You do not have to jump straight to understanding. Try the step before it: hands open, honestly puzzled, help me see what just happened here.
It has to be a real question. The rhetorical version, asked with your jaw set, makes things worse and both of you know it. Ask, then stay quiet long…
You can be completely right and still lose the room. Usually the trouble is not the point you are making, it is the edge you are making it with.
Softening how you say something is not conceding it. It is the difference between being heard and being braced against. Listen for the tells in your…
Often the feeling fits the situation perfectly and the size of it does not. You were right to be annoyed. The ten out of ten is the part that caused the trouble.
This is a useful thing to say to yourself afterwards, because it stops you throwing out your own read of what happened. Your sense that it was unfair…
Partners of people with ADHD tend not to name the lateness or the lost keys as the real injury. It is the size of the reactions. That is where the damage collects.
Annoying is survivable and frightening is not. If you are working through things in a rough order, the temper comes before the calendar, even though…
Being good at apologising is a real skill, and it loses value each time the same apology comes round. After a while what repairs things is something visibly different, not a better sentence.
So keep the apology specific and small. Name the thing, do not explain it away, say what you will do differently, and then let the doing carry the…
The reason your partner follows you out of the room is usually not control. It is the fear that if you leave now, this will never be finished.
So say the return out loud and mean it. I am not dropping this, I will be back at nine and we will finish it. Then be back at nine. A few kept…
A real apology has no because in it. I would not have shouted if you had not looked at me like that is the argument again, wearing an apology's clothes.
Name the thing you did, own it flatly, and stop there. Then do something that shows it: the phone call you dodged, the mess cleared up, the thing you…
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