Practices

Focus on the person and it feels personal. Widen out to what is around them, the hour, the queue, the week they are having, and it usually stops being about you.

That single instruction covers a lot of ground: it works on a picture, on a rude reply, and on your own attention when it has narrowed to one face.…

Not knowing what somebody else is carrying is reason enough to go easy on them. It is certainty about what they deserve that gives cruelty its permission.

You do not need a generous story about the person in order to hold back. Maybe is enough: maybe they are frightened, maybe something happened this…

There is a way of meeting a charge that does not involve charging back. You let it arrive, you move, and the force goes past you.

In practice this looks like standing still, breathing out slowly, and saying very little while the other person spends what they came with. Not…

Fighting your own anger tends to make it louder. The part of you that flares does better treated as something to work with than something to defeat.

In the moment that can be as small as thinking, there you are, instead of, not this again. Pushing it under works for a while and then it arrives…

Sitting practice teaches four useful things about anger: everything passes, the senses are calmer ground than the story, you do not have to attend to every thought, and you are not the words you use about yourself.

Take them one at a time. When something flares, the quickest of the four is usually the second: put your attention on your feet or the sound of the…

Nobody has to send kind wishes to the person who hurt them, least of all on somebody else's schedule. If that step is being pushed on you, you can decline it and keep the rest of the practice.

Reaching for warmth toward someone who did real harm can bring shame, or a flood of the original event, or the queasy sense of having been talked…

Have three or four openers ready before you need them. For what it is worth. Can I run something by you. You might not like this, so give me the benefit of the doubt.

When you are stirred up you will not compose diplomatic language on the spot, so the phrases have to be picked in advance and worn in. Say them aloud…

The aim is not to become someone with no force in them. It is to get a harness on the force and point it at something worth doing.

Anger usually knows something true: this was unfair, this matters to me, this cannot carry on. Keep that part and drop the delivery. The energy can…

There is motion sitting inside the word emotion. Big feelings come out through the body, so if you cannot keep still while you are grieving, that is the feeling moving rather than something going wrong with you.

Think how strange it would be if someone heard they had come into a fortune and just said thank you and carried on with the morning. Joy gets up and…

Punching something to get the anger out is the piece of grief advice that gets argued over most, and the honest answer is that hitting rarely leaves a person calmer.

Plenty of good people will tell you a bag is better than a wall or a face, and there is something in that. What has not held up is the older idea…

Give the anger a room rather than a target. Music up loud, walk fast, dance badly, shake your arms out until something in you settles.

Some children's grief centres keep a padded room where a child can go in and move however they need to, with nothing to hit and nothing to break.…

Write the exact thing you are furious about on a paper plate, tape it to the wall, and throw wet cotton balls at it. It sounds childish, and it does more than swinging at nothing.

Half the good of it is in the writing. Vague anger has to become a sentence before it can go on the plate, and reading that sentence back usually…

When a child digs in, try reading it as frightened rather than difficult. Most of them want to get this right and simply do not yet know how.

Refusal that looks like defiance is usually fear sitting on top of a missing skill, and those two call for different responses. Treat it as defiance…

Start with the body. Slow breathing, muscles let go one at a time, a piece of music, a familiar object in a pocket. Small levers, and they turn fear from something happening to you into something you are doing something about.

Children in particular notice the body first: the racing heart, the sick stomach, the tight chest. That is the part they are actually frightened of.…

Solve the problem without leaving the situation. Change where you sit in the canteen, who you sit with, what you bring with you, but stay in the canteen.

Otherwise a good problem solving session quietly becomes a plan for avoiding more skilfully. The test is simple. Does this option keep me in the…

Ask which step they are willing to try, and then go with their answer. A smaller step they chose themselves tends to get attempted, and a bigger one you chose for them often does not.

In practice this means holding the ladder loosely. You keep the shape of it, they pick the rung, and if they pick lower than you hoped you take the…

When something frightens you the mind offers one option: do not go. Force out two or three more before judging any of them, daft ones included. Choosing needs something to choose between.

There is an order that works. Say what the problem actually is, in one sentence. List some options without weighing them yet. Then go through what is…

One of the earliest signs that you are drifting out of the present is that your hands and feet go vague. Not numb exactly, just less there.

It tends to happen before you notice you have gone anywhere. If you learn your own version of it, you get an early warning: a chance to press your…

When what is happening inside gets too loud, turn outward. Name what you can see, listen for the furthest sound, press your feet into the floor.

This is not avoidance. The outward senses and the sense of where your body sits both carry information about now, which is exactly what the flooding…

If you are going to bring attention to your body, start with where your body is rather than what it feels. Feet on the floor, back against the chair, the weight of your hands in your lap.

Attention to the inside, the chest, the stomach, the throat, sits close to the emotional wiring and can open more than you meant to open. Position in…