Your body

Once a shape feels safe, it becomes somewhere to explore from. The question stops being am I doing this right and turns into how does my body want to move now.

Stay in an easy position long enough for it to go slightly dull. Dull is the sign that the ground under you is steady. From there, small experiments:…

Picture a cat getting up from a nap. One side lengthens and reaches while the other side curls in, then they swap over. Do that. Add breath and sound if you want them.

After a minute of copying the animal, drop the instructions and let your body carry on however it likes. That is the reason for starting here:…

Take a shape that asks something of you, warrior or mountain, eyes open, the middle of your body switched on. Then, without coming out of it, drop your attention inside and let the pose hold you instead.

Two things get practised in one position. First the doing: strong legs, clear gaze, a body that is ready. Then the yielding: still there, still…

Calm is only half the training. Plenty of people are more frightened of stillness than of adrenaline, because stillness puts the guard down.

If everything you practise is a settling practice, half the range goes untrained, and you may be asking someone to drop a defence they still need. So…

Play belongs here. Being a lion, a tree, a hissing snake, the way children do it with no embarrassment at all.

A lot of people meet trauma work as something solemn, and solemn is easy to sit through without ever softening. Silliness is harder to fake. If a…

With your eyes closed, bring to mind someone who is glad to see you, and let your face receive that look. A small smile usually arrives in the eyes on its own.

It can be someone you love, someone who loved you, a teacher from years ago, or an animal. The point is not the memory but the feeling of being…

When the person in front of you starts yawning during body work, it is usually not boredom. Bodies yawn as they let go of what they were holding.

Say so out loud, because most people apologise for it and then clamp down on the very thing that was starting to shift. A simple 'that is a good…

Let the corners of your mouth lift about as much as they would if you had just remembered something mildly pleasant. Not a smile anybody would notice.

This comes from dialectical behaviour therapy, where it is used as a way of softening without pretending. You are not being asked to feel happy, and…

Sometimes eyes water during body work with no sad thought attached to it. Nothing has gone wrong, and there is nothing that needs explaining.

If it happens to you, let it happen. If it happens to someone you are working with, say something plain and warm: that this is common, that they do…

Tap the fleshy outside edge of your hand and say something like: even though I feel this, I accept myself completely. Three times, in whatever words are actually true for you.

The shape of the sentence is the point. It names the problem and refuses to make your worth conditional on solving it, which is the exact opposite of…

Work one side of your face or body first, then stop and compare. The difference between the treated side and the untreated one is often surprisingly clear.

This is a useful trick if you tend to finish a practice thinking nothing happened. Rather than asking whether you feel better, which is a vague…

End by pressing your palms together and staying there a moment. Each hand is giving and being given to at the same time.

It is a small thing that lands hard for people who only know how to be the one who helps. Notice the warmth and the pressure and notice that you…

Finish by letting your eyes travel slowly from one side to the other a few times, open or closed, then bring them back to the middle and notice how you are.

The idea borrowed from EMDR is that this helps the calmer state settle in rather than evaporate at the door. Whether it does that is not established,…

You are not trying to get calm here. You are trying to find out what is actually going on in you, and whatever turns up is the useful part.

If a practice becomes something you can pass or fail, it will quietly join the list of things you are bad at. So drop the target. Ask what you notice…

Find the soft place just under and behind your jaw, near your ears, and rest your fingers there. Then open and close your mouth slowly, slide the jaw forwards and back, and draw your chin gently towards your throat.

Jaws get held all day, often by the same hunched screen posture that pushes the head forward. Go slowly enough that nothing clicks or hurts. You may…

If you carry everything in your neck, that is not a separate problem from feeling on edge. The nerve that settles you passes right between the muscles that are gripping.

The ones you can feel most easily run from behind each ear down towards the collarbone, with more just behind them along the side. Rest a warm hand…

Do not put a clock on any of this. Stay with each position until your body asks for a deeper breath or produces a yawn, then move on.

Timing by the clock turns the practice into another task to be completed. Waiting for a signal teaches you what your own signs of release actually…

After the throat, go straight to the chest. Most people feel the two loosen together, and noticing that link teaches you something about your own wiring.

Sigh the throat open, then put both hands on your breastbone and let the breath drop lower. If you have ever had a lump in your throat and a…

Rest both hands on your chest, feel it lift and fall, and let the breath go low enough that your belly moves too. If someone you love turns up in your mind while you do it, let them stay.

Gratitude works here as well, as long as it is specific and true: one thing from today rather than a list you are supposed to produce. Pets count,…

Hands on your belly, breathe so that it moves, and listen. A gurgle down there is a real sign that you have stopped bracing.

Digestion is one of the first things to shut down when you feel under threat and one of the first to come back when you do not. That is why the noise…