Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
22 practicesHow long you have
Who it is written for
Where you are right now · Coping, mostly
On your own, or with someone · Involves someone else
Theme
Approach · Body based
The rapid belly driven breath with pauses added is the strongest thing in this set. Not for high blood pressure, glaucoma, pregnancy or your period, and stop at once with pain or dizziness.
It has its uses for the flat, heavy state that comes over people after lunch or during a long low patch, because it pushes upwards rather than down.…
End a practice with a question rather than a conclusion. What do you notice works better than telling someone what should have happened.
If you announce that an exercise is calming, most people will agree with you whether or not it was. Asking leaves room for the honest answer,…
A child cannot watch their own breathing, so give them something to watch instead. Bubbles through a wand show the out breath as it happens: too hard and it bursts, too weak and nothing comes.
Smelling a flower and then blowing it out gives each half of the breath a picture. The bubble wand is better still, because it answers back straight…
Go slowly enough to learn something about yourself, rather than only a technique. What is worth keeping is knowing which breath does what in your body.
One round is rarely enough to tell. Try a breath for a minute or two, stop, and check what shifted: the chest, the shoulders, how loud your thoughts…
Whenever you offer a standing practice, offer the seated version in the same breath, and mean it. Say plainly that people should look after their own bodies and change anything that does not suit them.
Say it before you begin, not afterwards, so that nobody has to interrupt to ask. If you cannot see the people you are guiding, say that too, and say…
Offer any movement in three sizes: small, medium and full. Let people take the one that fits today, and let them change their mind halfway through.
For a twist that might be a simple reach, or a reach with the other hand placed behind, or loose swinging arms. The three sizes do quiet work. They…
When you offer someone a practice, ask them to tell you if it did nothing, and mean it. Say out loud that plenty of these do not land.
People agree that things helped for all sorts of reasons: not wanting to seem difficult, not wanting to disappoint you, having learned long ago that…
When somebody does not take up the movement you suggested, ask what got in the way before deciding they did not want to. Usually it is money, childcare, transport or time.
Cost, an awkward class time, nobody to watch the children, a room full of people you would have to make conversation with. None of that is…
If you are the therapist, you do not need to become the movement teacher as well. Sending somebody to a person trained for it is the better version of helping.
The evidence is for movement alongside therapy, not for therapy with a few stretches added by someone who picked them up from a video. Handing it…
Talk first, move second. Ending a hard conversation with something physical gives the body a route back down.
This works for a therapy group and it works for an evening at home. Say the difficult thing, then walk, stretch, wash up, anything that puts you back…
Play belongs here. Being a lion, a tree, a hissing snake, the way children do it with no embarrassment at all.
A lot of people meet trauma work as something solemn, and solemn is easy to sit through without ever softening. Silliness is harder to fake. If a…
Before telling someone what you have noticed about them, ask whether they want it. Do you mind if I offer something back to you? Then describe only what you saw, plainly.
Close attention is not neutral for a person who grew up being watched for a reason. Asking first turns being observed into something they agreed to,…
You rarely need the whole tour. Pick the one place the tension actually lives for this person today, and work there.
A real session has no room for a long sequence and no need of one. Watch where the holding shows itself: a jaw that never rests, shoulders up near…
Keep offering these small practices and people start asking for them. When someone requests one by name, something has changed about who is running their regulation.
Responses also speed up with repetition, so what needed ten minutes in the first month can take two later on. Name that shift out loud when it…
The way you sound reaches people more directly than what you say. There is a pathway that tunes the ear towards the human voice, and a warm, unhurried voice uses it.
Worth knowing whether you are the one speaking or the one listening. If you are settling a child or a friend, let your voice go slower and softer and…
When someone is frightened, your words may not reach them however sensible they are. Drop your voice, slow right down, and let the tone do the work.
In high alarm, hearing tips towards low rumbling sounds and away from the range the human voice sits in, so reassurance can genuinely fail to land.…
None of this needs explaining to work. A child who cannot say what happened can still be helped by breath, movement and sound.
That makes body based work useful right across the ages, and for anyone who finds talking hard, including people whose language is not the one the…
When someone cannot take in your reassurance while they are frightened, that is the receiver and not their willingness. Wait for the wave to pass and try again.
In high arousal, hearing shifts away from the band the human voice occupies, so kind words can genuinely arrive as noise. It is easy to read that as…
Keep the explanation short when you offer this to someone. It is a way of breathing that gets your heart to send your brain a message to settle. Would you like to try it?
Long technical framings cost more than they buy. They ask a person to take in a great deal before they have felt anything, and the offer of a choice…
A child who does not feel safe cannot filter the room. The pencil scratch, the scraping chair, the fan and the rustle of a coat all arrive at the same volume as the teacher.
So the attention problem is real, and it is not the same thing as not caring or not trying. A quieter corner, a seat away from the noisy fan, a…
Looking for a whole subject rather than a single practice? Start from the nine areas.