Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
161 practicesHow long you have
Who it is written for
Where you are right now
On your own, or with someone · On my own
Theme
Approach · Mindfulness
You cannot talk yourself out of a state you are not in yet. Anything you want to have available when you are angry has to be practised, not merely understood.
Reading about a technique and having it in your hands with a hot face are two different things. So rehearse while you are calm and it feels a bit…
What changes things is what you actually rehearse. Advice you agreed with does very little on its own.
So take one thing and repeat it rather than collecting ten good ideas. One breathing practice, one line to say, one route out of the room. Repeated…
No medicine installs a skill. Staying steady when you are provoked is closer to a language you practise than to something anyone can prescribe you.
Medication can settle sleep, mood or attention, and that can be what makes practice possible in the first place. The response you actually want,…
Hours in a room do not do the work on their own. If you are counting sessions towards a total, the count will run out and leave you roughly where you started.
This bites hardest when the attendance was ordered rather than chosen. A better question at the end of each week is what you practised and what…
Angry eyes are not unfocused, they are too focused. Everything funnels down onto the person or thing in front of you and the rest of the room goes missing.
That narrowing is part of why anger feels so certain. You are not seeing less because you are careless, you are seeing less because the state does…
When one thing fills your view, everything around it stops registering. You can be staring hard and taking in almost nothing.
This is why an angry judgement can feel so sharp and turn out to be so poor. The person in front of you has become the whole picture, and the details…
Instead of shutting your eyes, let your gaze go soft and wide: the sky, the far wall, the space above someone's shoulder. Keep them open and let the focus loosen.
Closing your eyes in front of someone reads as walking out of the conversation, and it often makes things worse. A soft open gaze breaks the lock…
Find something with nothing in it to look at: sky, a blank wall, a ceiling, a stretch of grass. Do not concentrate on it. Let your attention spread out over it.
Hostile thinking needs something to grip, and it will use whatever the eyes hand it. An expanse with no features gives it nothing, so the replay…
Put four dots on a page, one at a time, and by the fourth you will see a square. Now try to point at the square. Your mind supplied it in under a second and never asked you first.
Keep the paper. It is a small undeniable demonstration that you make patterns as much as you find them. The next time you are certain what somebody…
Faces in the curtains, a figure in the dark: the part of you that spots danger would rather be wrong ten times than miss once. It reads people the same way.
That bias is old and cheap insurance rather than stupidity. Knowing it is running lets you add a second look before you act, especially with thin…
Listen to how you narrate it to yourself. What on earth is this nonsense keeps the heat on. I am puzzled, what might this be does not.
The words are not cosmetic. Outraged narration keeps the body up, and curiosity is hard to hold at the same time as fury. Choose your replacement…
Focus on the person and it feels personal. Widen out to what is around them, the hour, the queue, the week they are having, and it usually stops being about you.
That single instruction covers a lot of ground: it works on a picture, on a rude reply, and on your own attention when it has narrowed to one face.…
Light behaves like a particle in one experiment and like a wave in another, and physicists live with both. That is a good picture for two accounts of one event, and a picture is all it is.
Reaching for a big idea from physics can settle the room while proving nothing at all. Use it the way you would use a photograph: helpful for seeing,…
Not knowing what to make of something does not have to be an emergency. See if you can find it interesting instead, even for a moment.
Most of us treat confusion as a gap to be closed fast, and anger is one of the quickest ways to close it: decide they meant it, decide what it says…
Not knowing what somebody else is carrying is reason enough to go easy on them. It is certainty about what they deserve that gives cruelty its permission.
You do not need a generous story about the person in order to hold back. Maybe is enough: maybe they are frightened, maybe something happened this…
There is a way of meeting a charge that does not involve charging back. You let it arrive, you move, and the force goes past you.
In practice this looks like standing still, breathing out slowly, and saying very little while the other person spends what they came with. Not…
Before someone has said a word, you have often already decided what they are: only here because they were made to come, not really interested, wasting your time. That decision changes how the meeting goes.
The person sent by a court, or pushed into the room by a partner or a manager, walks in already read. Try starting the hour with nothing written: no…
Angry memories come back in extraordinary detail: the tilt of the head, the exact words, the door. That vividness is what a threatened body does with a memory, not proof that the event deserves the room it is taking.
It explains why replaying feels so compelling and does so much quiet damage. Every rehearsal lays the same track down again. Catching the replay as…
The useful part of this kind of practice is not the calm. It is noticing that the angry commentary running in your head is commentary, and that you are not obliged to follow it.
You are not arguing with the content or proving it wrong. You take half a step back: there goes that thought again, and here I am hearing it.…
Practising the perfect reply in your head feels like letting off steam. It works more like rehearsal, and what you rehearse gets easier to perform.
Each run through lays the same track again: the same heat, the same script, a little more automatic. When you catch yourself at it, name it as…
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