Practices

Sitting practice teaches four useful things about anger: everything passes, the senses are calmer ground than the story, you do not have to attend to every thought, and you are not the words you use about yourself.

Take them one at a time. When something flares, the quickest of the four is usually the second: put your attention on your feet or the sound of the…

Nobody has to send kind wishes to the person who hurt them, least of all on somebody else's schedule. If that step is being pushed on you, you can decline it and keep the rest of the practice.

Reaching for warmth toward someone who did real harm can bring shame, or a flood of the original event, or the queasy sense of having been talked…

Have three or four openers ready before you need them. For what it is worth. Can I run something by you. You might not like this, so give me the benefit of the doubt.

When you are stirred up you will not compose diplomatic language on the spot, so the phrases have to be picked in advance and worn in. Say them aloud…

Picture what you feel as weather. A clear morning, a wind picking up, a storm sitting on the far hills. Weather is real, and weather moves.

The useful part is the distance. You are the field, not the storm. And every kind of weather in the picture is on its way somewhere, which quietly…

If something will not shift, pair it with the breath: 'I am' as you breathe in, 'letting go' as you breathe out. Let the out breath be the longer one.

Giving the mind two short phrases to hold occupies it just enough that it stops arguing with the feeling. Meanwhile the long exhale does its own…

Let the uncomfortable thing be uncomfortable, without arguing with it. People are often surprised by the relief that follows.

Much of what makes a bad feeling unbearable is the second layer: the objecting, the wishing it gone, the fear that it means something about you. Drop…

You are allowed to move. Wiggle your toes, rub one arm from shoulder to hand, put a palm on your chest. A body that is doing something is much easier to feel than one held still.

Sitting perfectly still and waiting for sensation is hard work if you are numb, and it often ends with the conclusion that you are broken at this.…

Practise with the noise on, at least some of the time. The quiet room is not where you are going to need the skill.

A calm that only exists in a silent house is not much use in an open plan office or a kitchen at teatime. Once you can settle in the quiet, do a…

The aim is not to stop feeling angry. It is to stretch the time between the feeling arriving and you doing anything about it, from no seconds to a few.

That target has the advantage of being honest and checkable. You can ask whether you got a moment this time that you did not get last time. The anger…

Notice how much of the tightness in you is the verdict you are passing. As the judging comes down, the body tends to come down with it.

This is something you can test rather than something to believe. Catch yourself narrating: he always does this, she has no respect, typical. Then…

When a feeling grips you, name it in one plain word: this is anger, this is fear, this is hurt.

Not a story about why. Just the name. Putting the feeling into a word loosens its hold.

Give the feeling a number from zero to ten, and watch the number instead of obeying it.

A rating turns a wave you are inside into something you are measuring from the shore.

Under the anger, name the softer feeling: often it is fear, or hurt, or feeling unseen.

Anger is a bodyguard. Name what it is guarding, and it begins to soften.

When an urge rises, neither fight it nor obey it. Watch it like a wave: it peaks and it falls.

The urge to snap, to check, to give in. Name it, breathe, and let it crest and pass.

Before acting on a strong impulse, wait ten slow breaths. Decide after, not during.

The peak of an urge is brief. A short, deliberate delay lets the thinking mind back in.

Hold up two hands: one is you, the other is what you are feeling. Ask how far apart they are right now, and you have a quick reading of where you stand.

Hands touching means you have merged with it and the feeling is speaking as you. A gap means you can still see it as something happening. The gap…

In a row, the words themselves rarely do the damage. The damage comes from what you do once you have decided the words mean something about you.

Someone can say something ugly and you can hear it as noise coming out of a person having a bad life. That is not pretending it was fine. It is…

Instead of marking a page, press one fingertip lightly against your knee each time you notice a thought going by. Nobody in the room will see it.

The paper version is fine at home and useless in a meeting or halfway through an argument, which is exactly where you need it. A small press, like…

That small press of your own finger does two jobs. It marks the thought, and it gives you a bit of contact with yourself while everything around you is loud.

Your own touch is easy to overlook as a comfort. A hand on your knee, a thumb pressed into a palm, arms folded across your chest: quiet things people…

You can be in full control of what you do and still be burning inside. Calm is not the entry requirement.

People write themselves off because they still feel angry, as though the goal were to stop feeling it. The goal is narrower and much more reachable:…