Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
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215 practicesHow long you have
Who it is written for
Where you are right now
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Theme
Approach · Body based
There is more than one way to feel your body. The outward senses, the inward signals like hunger and tension, and the sense of where your limbs are in space are separate channels, and on a hard day one of them will be easier than the others.
If tuning into your chest feels like too much, that is worth knowing rather than pushing through. You can go instead to what your feet are pressing…
Thirst, hunger, the ache of having sat too long: these are not nagging, they are instructions. When self-care keeps failing, it is often because the instruction never arrived.
People who have been through a lot sometimes stop registering the signal at all, and then eating, sleeping and resting all go sideways. If that is…
Your nervous system decides whether a room is safe before you have had a single thought about it. Tone of voice, a face, the way someone walks in: it reads all of that and answers underneath your awareness.
This is why you can leave a perfectly pleasant meeting wrung out, or take against someone who has done nothing you could point to. The reading is…
The reading happens without you, but you can catch up to it. Naming what your body has already concluded, out loud or in your head, is most of the work.
Something like: my shoulders came up when he walked in. That is all it needs to be. You are not deciding yet whether it was fair, you are bringing a…
An alarm system can be wrong in two directions. It can scream in a safe room, and it can stay silent somewhere it should not.
Most talk about trauma assumes the first: too much alarm, too often. But some people come out of hard years with the volume turned right down,…
You do not need a diagnosis to be worth teaching this to. Something that takes seconds, costs nothing and travels with you is worth having before you need it.
Practise it on an ordinary day, sitting on the bus or waiting for the kettle, so your hands already know it when the day is not ordinary. That is…
If talking about feelings has always felt foreign or a bit embarrassing, treat this as a once a day checklist instead. Five boxes, no discussion, nothing to perform.
Plenty of people who go blank at how are you feeling can tell you straight away whether their shoulders are tight or their breathing is shallow.…
Ask who you are today and what body you are living in today, and let the answer be different from yesterday's. You are more fluid than solid.
Hard experience tends to freeze a person into a description: the damaged one, the difficult one, the one who cannot cope. Asking the question daily…
When you sit down to breathe, notice your pelvis. Tucked hard under or tipped hard forward both squeeze the breath; somewhere in the middle lets the diaphragm move.
Rock gently forward and back a few times and stop where the breath feels easiest, rather than aiming for a posture that looks correct. You will…
Before twisting, draw your belly gently in towards your spine. It looks after your lower back, and it is worth feeling for its own sake: you steady the middle before you turn towards anything.
The physical version is simple. A light drawing in of the abdomen, not a clench, held while you rotate and released as you come back. The felt…
Learn one plain standing position and keep coming back to it: feet under hips, hips under shoulders, ears above shoulders, chin drawn back a little, arms hanging.
The point is not that this posture is correct. It is that having one shape you return to gives you something to measure by, so you can tell that…
When you offer someone a practice, ask them to tell you if it did nothing, and mean it. Say out loud that plenty of these do not land.
People agree that things helped for all sorts of reasons: not wanting to seem difficult, not wanting to disappoint you, having learned long ago that…
Your eyes are an input too. A photo of someone who loves you and a plain soft coloured wall will settle you; a busy bright screen will lift you.
Hardly anyone thinks to arrange what is in front of them, and it is one of the easier things to change. Put a picture where you actually sit. Turn…
Once a day, run through five things in order: how your mind is, what your body feels, how the breathing is going, what the emotional weather is, and how much energy you have. Curious, not marking yourself.
The order matters more than the answers do. Without a set path, checking in with yourself slides easily into chewing over the same worry, and you…
The same check-in can take two minutes or fifteen. Match the length to the day you are actually having, not to the version you were taught.
A long deep look inward is not always the better one. On a day when you are already far from yourself, going deeper can take you further out rather…
Finish a check-in by asking what actually brought you here. Not the task in front of you, the thing underneath it that you want.
Noticing how you are can leave you sitting in it. One more question turns it outward: what am I hoping for, what am I moving towards. It might be…
Take the spine through all six of its movements: forward, back, bending to each side, turning to each side. Standing or sitting, it takes under five minutes.
Doing the whole set matters more than doing any one of them beautifully. Left to ourselves we skip the direction that feels stiff or guarded, and…
Posture does not only show what you feel, it decides what you can feel. Anger is very hard to reach with a collapsed chest, and grief is hard to reach when you are held rigidly upright.
If a feeling seems to be nowhere at all, look at the shape you are sitting in before deciding it is absent. Let the chest open a little, or let a…
Once a movement is familiar, drop the pattern. Let it curve and wander towards wherever your body seems to want it, rather than doing it correctly.
Following instructions well is a skill many people learned early, sometimes because it was not safe to do anything else. A practice made entirely of…
Let the breath go along with the movement rather than counting it out. If you are guiding someone, do not set the pace of their breathing for them.
Being told exactly when to breathe in and out is unpleasant for more people than you would expect, and for anyone whose breath was held tight through…
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