Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
61 practicesHow long you have · Five minutes
Who it is written for · Someone I care about
Where you are right now
On your own, or with someone
Theme
Approach
The person you love and the person who frightened you are one person, and you are not obliged to decide which of them is the real one. Both were in the room.
People tend to collapse this in one direction or the other. Either the frightening one is the truth and every kind thing was an act, or the kind one…
The strongest pull is not the anger by itself. It is anger plus being right, the lift in the body and the certainty of the moral high ground arriving together.
That pairing is genuinely hard to put down, because giving it up means giving up more than a mood. It means not being the wronged one for a while.…
After a flare, the more useful question is not why you got angry. It is what felt at risk in that moment.
Answers tend to be smaller and more embarrassing than the row that followed. Being made to look a fool in front of your kids. Being left. Being taken…
Fear moves you away from what frightens you. Anger turns you round and marches you into it, which is how something meant to keep you safe becomes the thing that puts you in danger.
If you believe the shouting protects you, follow it all the way to the end of an evening and see what it protected. Usually the other person hardens,…
When anger turns up, in you or in front of you, two questions do most of the work: what is the fear underneath this, and what would make that fear bearable without the anger?
The first question slows everything down, because a fear is usually easier to name than to defend. The second stops you at insight: if the fear is of…
Some of what teaches you most arrives rudely, from people you would not have chosen, at a time you did not pick. A provocation is often that kind of lesson.
This is not about being grateful to somebody who treated you badly. It is about what you do with the information afterwards. An ugly encounter can…
Treat a flare-up as a reading rather than a failure. It is telling you where something is sore.
Instead of the usual round of apology and self-disgust, get curious. What exactly set it off, what did it seem to put at risk, why that today and not…
If the same crunch arrives every month, another talk about it will not shift next month. It was never a shortage of information.
For partners this is a hard one, because the frustration is completely fair. But a lecture adds shame to something that already feels unpleasant, and…
Thursday night goes badly, you swear at yourself, and you mean every word. Next quarter the same thing happens. That is not you failing to learn. It is a lesson that cannot survive the distance.
For the memory of a bad night to change anything in August, it would have to still be vivid in August, and it will not be. So stop waiting for the…
You can tell someone they have hurt you without your voice showing it. The message and the heat come apart, and it is usually the heat that stops the message being heard.
Worth saying, because plenty of people believe the only options are swallowing it or letting it out. There is a third, which is saying the whole hard…
Under the anger there is usually something you wanted and did not get, or something you are afraid of losing. Say that, and you have handed the other person something they can actually do.
"You never help" gives someone a charge to deny. "I needed you to take the kids for an hour and I was too proud to ask" gives them a job. The second…
There is a fair worry that punch shaped exercise simply practises the punch. The test is easy: if the angry story is still running in your head, it is rehearsal.
You can check mid set. Ask what you are actually attending to. Counting, the burn in your arms and the sound of your breathing are all signs the…
If a conversation has wandered off and you have lost the thread, go back to the last thing that had real feeling in it, and go back using the words they used.
Not a summary of those words. The actual phrase: 'you said she has her standards and you will never meet them, and your eyes went red when you said…
You do not have to reflect back everything a person just told you. Pick up the part that carries the weight and say that much.
A long, careful summary can flatten what someone has just risked saying. If the heart of it is that he feels defeated and frightened of never being…
After you lose it, the sentence you say to yourself matters. I have no self control leads somewhere much worse than I have not drilled that one yet.
Shame closes the subject. You stop looking at what happened, and what happened is precisely the material you need. Try a short unglamorous review…
When someone protests that swallowing their feelings is unnatural, agree with them, because it is. Then add the part they have not said: it is also necessary, and there are better ways to do it than swallowing.
Arguing that calm comes naturally costs you your credibility in a single sentence. Conceding the true half leaves nothing to defend, and the…
Losing your grip has a sequence too, running the other way: the hold loosens, thinking thins out, and then you are simply angry. Finding where it loosened is more use than going over how it ended.
Work backwards from the flare. The slip is usually earlier and duller than the shouting: a skipped meal, a second replay of the conversation in the…
When someone tells the story with every detail, the exact words, the way the door shut, what she was wearing, they are not wandering off the point. The detail is telling you how unsafe it felt.
Steering them back to the summary usually lands as being told their experience is a nuisance. Let it run a while and hear the detail as a reading of…
Those same four dots could have been joined into a cross. You never saw the cross, because the square had already settled.
The second step matters more than the first. Not only did you build the picture, you built one of several that fitted the same dots. So when a tone…
The same cup is a drinking cup at home and contraband in a prison, because the role you are standing in has already decided what you are looking at.
You have roles too, and they are quieter than a uniform: the wronged partner, the one who never gets thanked, the employee nobody respects. Standing…
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