Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
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9 practicesHow long you have
Who it is written for
Where you are right now
On your own, or with someone
Theme · Emotions as signals
When · After a row
There is a kind of anger that floods a room and a kind that arrives with a request inside it. The second one gets answered.
The difference is audible before it is anything else: the voice steadier, the sentence shorter, an actual ask at the end of it. I am angry, and what…
Nobody ever came for help because they were too happy. What arrives as irritation or flatness on the surface is usually fear, grief or shame underneath.
So when someone snaps at you, or when you go cold and clipped yourself, treat that as the top layer rather than the whole story. The useful question…
Say the frightened thing rather than the sharp thing. It is far more exposing and it is the only version that tends to get a kind reply.
Under most rows sits something like I think there is something wrong with me, or I have already lost you and I am pretending I have not. Sharp words…
Go back to the second before you reacted. Not the argument, not the history, just that one second and what crossed you in it.
Most people have to genuinely search for the answer, and the searching is where the work happens rather than in whatever they eventually say.…
Once the feeling is actually in the room, ask the plain question: what did you hear her saying about you? The answer is usually where the sting really lives.
A comment about the washing up does not floor anyone by itself. It floors you because of what you heard underneath it, something along the lines of…
Watch for the swerve. Right after something tender gets said, along comes a story about a brother or a colleague or a thing from years ago, and the tender part quietly gets left behind.
Swerving is not dishonesty. It is what people do when a feeling gets close, and it works, which is exactly why it is so easy to follow along.…
If a conversation has wandered off and you have lost the thread, go back to the last thing that had real feeling in it, and go back using the words they used.
Not a summary of those words. The actual phrase: 'you said she has her standards and you will never meet them, and your eyes went red when you said…
You do not have to reflect back everything a person just told you. Pick up the part that carries the weight and say that much.
A long, careful summary can flatten what someone has just risked saying. If the heart of it is that he feels defeated and frightened of never being…
When all you can say is that something happened and you went off, take it apart in five pieces: what set it off, how you read it, what your body did, what you made it mean, and what you wanted to do next.
Written out on paper it usually stops being a blur. You often find the trigger was small and the meaning was enormous, or that your body was already…
There is more about low mood and hard feelings than the practices: the low mood and hard feelings area has the themes and the courses too.