Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
46 practicesArea · Your body
How long you have · A minute
Who it is written for
Where you are right now · Struggling right now
On your own, or with someone
Theme
Breath work goes straight into the body, and for some people that is the problem. If your panic has ever been about not getting enough air, putting your attention on your breathing can set it off rather than settle it.
Asthma, a history of choking or smothering, panic that arrives through the chest: any of these makes the breath a loaded place to put your attention.…
When you are flat rather than wound up, try this. Rub your palms together until they feel awake, let them rest, then breathe in as your arms lift and out as they lower, two or three times.
Sluggish, heavy, far away: those states rarely respond to more calming. A bit of friction in the hands, some movement through the arms and a fuller…
For when you are stuck in shutdown there is a faster practice: short sharp exhales driven from the belly, letting each in breath happen by itself, about twenty of them.
It is meant to rouse, so expect to feel more awake and a little buzzy afterwards rather than calm. Twenty is plenty. Sit down before you start so…
The pull towards bread, pasta and biscuits when you are low is not simply greed. Carbohydrate makes it easier for the brain to get hold of the raw material it needs for serotonin, so it gives a real if short lived lift.
Calling it self medication instead of a failure of character changes what you do next. You stop trying to out-discipline the craving and start asking…
Put a rubber band round your water bottle for each refill you want to get through today, and slide one off each time you finish it. Nothing to remember, nothing to buy, and you can see where you are at a glance.
Tracking anything in your head is hard when your head is already full, and harder still when concentration is one of the things that has taken a hit.…
One of the earliest signs that you are drifting out of the present is that your hands and feet go vague. Not numb exactly, just less there.
It tends to happen before you notice you have gone anywhere. If you learn your own version of it, you get an early warning: a chance to press your…
When what is happening inside gets too loud, turn outward. Name what you can see, listen for the furthest sound, press your feet into the floor.
This is not avoidance. The outward senses and the sense of where your body sits both carry information about now, which is exactly what the flooding…
Four steps you can do in ten seconds in the middle of anything: stop, take one breath, look at what is actually happening, then carry on.
It fits inside an argument, a shopping queue, the second before you send a message you will regret. The value is not the breath itself, it is the…
Cold water on your face, especially around the eyes and cheeks, slows things down fast. Splash it, or hold a cold flannel there for half a minute.
This is one of the few things that works when you are too far gone to concentrate on anything. It asks for no skill and no privacy beyond a tap. Lean…
Cross your arms over your chest, hook your thumbs together, and tap your shoulders slowly, left then right. You set the pressure and the speed.
Twenty or thirty seconds is enough to feel something shift, and most people find the breath falls into step with the tapping on its own. Warmth in…
When you are helping someone settle, put the technique in their hands rather than your own. They tap themselves, they set the pressure, they stop when they want to.
Being touched by someone else, even kindly and with permission, asks a lot of a person whose body has been handled badly before. Self-administered…
Trace a square in the air with your finger while you breathe: in for four along the first side, hold for four, out for four, hold for four.
The counting slows the breath to roughly the rate that suits the heart best, and the tracing gives your eyes and hand something to do, which is…
In the thick of it, keep your eyes open and give them something outside you to rest on. A fingertip, a doorframe, the line where the wall meets the ceiling.
Closing your eyes takes away the evidence that you are here and safe, and for some people it lets images in that they were holding off. Most…
Breathe in, hold it a moment, then let it out as a sigh you can actually hear. Not a polite one.
The sound is the point. A silent out breath does some of the work, and letting the voice into it adds a bit more, which is probably why sighing turns…
Tap the fleshy side of one hand with the other and say it plainly: even though I am feeling all this in my body right now, I can accept that this is how I am.
You can strip away everything else and this part still stands up. Naming the state and accepting it in the same sentence blocks the second wave, the…
Before you try anything, give your distress a number out of ten. Do the thing. Then give it a number again.
Even a drop from eight to six is worth having, because you were the one who moved it. That is often the more important result: not the two points,…
When you have gone numb rather than frantic, try a long low sound on the out breath. Voo, drawn out until the breath runs out, so your lips and chest buzz with it.
This is for the flat, far away state, not the racing one. The buzz gives you something unmistakable to feel when nothing else is registering, which…
After you have tried something to settle, check: how here do you feel now, compared with before? Do not assume it worked just because it usually does.
This takes ten seconds and does two jobs. It tells you whether that particular thing is worth reaching for again, and it slowly trains you to notice…
Rest one hand on your forehead and the other on your chest. After a few minutes, move the forehead hand down to your belly. Eyes open or closed, whichever you prefer.
Again the instruction is only to notice what goes on between the two hands. That noticing is quietly the training: it is body awareness arriving…
Two senses rarely get named: the one that tells you where your limbs are, and the one that tells you which way is up. Pressing your feet into the floor or slowly turning your head feeds both.
When someone feels unreal, or far away from their own body, these are the channels that have gone quiet. They carry plain information with no feeling…
There is more about your body than the practices: the your body area has the themes and the courses too.