Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
25 practicesHow long you have
Who it is written for · Someone I care about
Where you are right now · Getting ready for something
On your own, or with someone
Theme
Approach · Body based
The fast forceful practices are not for everyone. With high blood pressure, heart trouble or glaucoma, leave them out and use the slow ones, which carry no such warning.
Rapid breathing with effort behind it raises pressure inside the chest, the head and the eyes for as long as you keep it going. The gentler lift,…
Any breathing instruction that reaches you through a screen or a book comes from someone who cannot see you. Keep the final say over what your body does.
Recorded instructions have to be general. You are the one who knows that your chest tightens on holds, or that counting makes you anxious. Treat each…
Hot yoga asks you to keep drinking all the way through the class. If forgetting to eat and drink is one of your regular problems, choose a different room.
This is not about the style being bad. It is about matching what you choose to the things you genuinely find hard. Dehydration creeps up quietly and…
The same breathing serves different jobs at different times. Early on it may be there to help you sleep and stay contained. Later it may be there to help you feel more, not less.
This is worth knowing so you do not judge yourself for finding a practice useful now that was useless six months ago, or the other way round. In the…
A good instructor says light, moderate, heavy. A poor one says set the dial to three. Only one of those takes account of the body you actually brought with you.
Fixed settings guarantee that somebody in the room is working far too hard and somebody else is barely working at all. If you tend to go flat out and…
Heading towards the shape is the whole job. A perfect triangle is not what the pose is for, and nobody is marking it.
Perfectionism and going too hard tend to travel together, and between them they produce most of the injuries and most of the quitting. If you are…
Trace a slow circle with your finger, on your knee or in the air, once a day. One a day is the whole prescription, which is why it survives contact with real life.
A small movement done daily becomes a handle. After a few weeks the gesture starts to bring a little of the settled state with it, and you can use it…
The out breath is the part that quiets things down. Cells in the brain's alarm centres behave differently across the two phases of a breath, and breathing out is the calming side of that cycle.
This is why nearly every breathing technique that works has a long exhale somewhere inside it. You do not need the anatomy to use it, but knowing why…
If breathing exercises have felt insulting to you in the past, it may be that they arrived too early. They tend to land once you can already feel the anger coming.
There is an order that helps. First learn to catch the surge, then to see that there is a choice inside it, then to be a little less thin skinned,…
If someone already has a practice in their life, hang the new skill on that rather than handing them something foreign.
Someone who does yoga already knows what a hand gesture is for and will not find it odd. Someone who prays already has fixed times in the day and a…
People arrive at anger work braced for a lecture and an instruction to breathe deeply. Handing them something they did not see coming buys you their attention.
This matters most with people who did not choose to be there. If the session matches what they expected, they can sit through the whole thing without…
Slowing the breath seems to widen the gap in which you can still see your options. It does not make the anger go away, it gives you a moment inside it.
That is the honest size of the claim. You will not think your way out of a flare by breathing, but you may notice that there is more than one thing…
Automatic is not the enemy. An out of date automatic is. The aim is to practise the calmer response until it runs on its own, the way the old one already does.
At the start it feels artificial, and it should. You are choosing deliberately what the other response does for free. Give it enough repetitions and…
Find a photograph of someone caught unguarded, ashamed or frightened or relieved, and look at it for a while. Notice what happens in your chest and around your own eyes.
Most of the time we glance at a face and move straight on. Holding your gaze long enough for something to stir is a small test of whether the feeling…
You do not need a diagnosis to be worth teaching this to. Something that takes seconds, costs nothing and travels with you is worth having before you need it.
Practise it on an ordinary day, sitting on the bus or waiting for the kettle, so your hands already know it when the day is not ordinary. That is…
When you sit down to breathe, notice your pelvis. Tucked hard under or tipped hard forward both squeeze the breath; somewhere in the middle lets the diaphragm move.
Rock gently forward and back a few times and stop where the breath feels easiest, rather than aiming for a posture that looks correct. You will…
Your settling kit should cost nothing. Tea you already buy, a photo already on your phone, an old jumper, a smooth stone, a puzzle that takes your whole attention.
Anything you have to buy first becomes a reason not to start, and for anyone short of money it can add a layer of shame to the thing that was meant…
If a movement class sounds like it comes with somebody else's beliefs attached, ask what actually happens in the room before ruling it out. Much of it can be done as plain movement.
Stretching, holding a shape, breathing steadily, none of that belongs to anyone. Teachers vary, and plenty will leave out the chanting or the framing…
Before going towards a hard feeling, decide what will hold you while you are inside it: a way of breathing, a way of standing, a sentence, a person you can picture or ring.
Going in with nothing is not brave, it is flooding, and it teaches your system that feelings really are dangerous. Pick two or three supports in…
The first several attempts at any of this will feel awkward and slightly fake. That is not a sign it is not for you.
Repetition is what makes a practice smooth, in the way a piece of music or a gear change stops needing your whole attention after a few weeks. Early…
Looking for a whole subject rather than a single practice? Start from the nine areas.