Practices

Picture a cat getting up from a nap. One side lengthens and reaches while the other side curls in, then they swap over. Do that. Add breath and sound if you want them.

After a minute of copying the animal, drop the instructions and let your body carry on however it likes. That is the reason for starting here:…

Take a shape that asks something of you, warrior or mountain, eyes open, the middle of your body switched on. Then, without coming out of it, drop your attention inside and let the pose hold you instead.

Two things get practised in one position. First the doing: strong legs, clear gaze, a body that is ready. Then the yielding: still there, still…

Play belongs here. Being a lion, a tree, a hissing snake, the way children do it with no embarrassment at all.

A lot of people meet trauma work as something solemn, and solemn is easy to sit through without ever softening. Silliness is harder to fake. If a…

Before telling someone what you have noticed about them, ask whether they want it. Do you mind if I offer something back to you? Then describe only what you saw, plainly.

Close attention is not neutral for a person who grew up being watched for a reason. Asking first turns being observed into something they agreed to,…

Say it plainly: my anger is allowed here. It is a healthy feeling and it is usually the thing telling me where a line should go.

For anyone who learned that their anger made them dangerous or unlovable, it now arrives with shame attached, and the shame is what turns it into…

Watch for the small thing that happens right as a feeling starts: the reach for a tissue, the laugh, the change of subject. Notice it once and say nothing, notice it again, and only then mention it.

One instance is an incident and three is a pattern, and the difference matters when you name it, because a pattern can be looked at together without…

Ask what you were taught about crying, about anger, about needing anything. Not what you believe now, but what you were told then, in the words that were actually used.

Most rules about feelings were installed rather than chosen, and once you can hear the original sentence, boys do not cry, do not be so sensitive, it…

Open your mouth and put on a big obvious fake yawn. More often than not a real one follows, and the soft palate lets go with it.

Yawns are catching, so if you are sitting with someone else one of you starting will usually set off the other. Let it be a proper one: jaw wide,…

When the person in front of you starts yawning during body work, it is usually not boredom. Bodies yawn as they let go of what they were holding.

Say so out loud, because most people apologise for it and then clamp down on the very thing that was starting to shift. A simple 'that is a good…

Let the corners of your mouth lift about as much as they would if you had just remembered something mildly pleasant. Not a smile anybody would notice.

This comes from dialectical behaviour therapy, where it is used as a way of softening without pretending. You are not being asked to feel happy, and…

Work one side of your face or body first, then stop and compare. The difference between the treated side and the untreated one is often surprisingly clear.

This is a useful trick if you tend to finish a practice thinking nothing happened. Rather than asking whether you feel better, which is a vague…

End by pressing your palms together and staying there a moment. Each hand is giving and being given to at the same time.

It is a small thing that lands hard for people who only know how to be the one who helps. Notice the warmth and the pressure and notice that you…

Finish by letting your eyes travel slowly from one side to the other a few times, open or closed, then bring them back to the middle and notice how you are.

The idea borrowed from EMDR is that this helps the calmer state settle in rather than evaporate at the door. Whether it does that is not established,…

You are not trying to get calm here. You are trying to find out what is actually going on in you, and whatever turns up is the useful part.

If a practice becomes something you can pass or fail, it will quietly join the list of things you are bad at. So drop the target. Ask what you notice…

Most of us hold a whole day around the eyes without knowing it. Scrunch them shut, open them wide, then rest your fingertips lightly over them for a few breaths.

After that, try the small points: the spot between your eyebrows, your temples, the soft dip under each eye where the cheekbone begins. Press only as…

Find the soft place just under and behind your jaw, near your ears, and rest your fingers there. Then open and close your mouth slowly, slide the jaw forwards and back, and draw your chin gently towards your throat.

Jaws get held all day, often by the same hunched screen posture that pushes the head forward. Go slowly enough that nothing clicks or hurts. You may…

If you carry everything in your neck, that is not a separate problem from feeling on edge. The nerve that settles you passes right between the muscles that are gripping.

The ones you can feel most easily run from behind each ear down towards the collarbone, with more just behind them along the side. Rest a warm hand…

Put your right hand flat on your left upper chest, gather the skin gently and draw it downwards, then tilt your head and lift your left ear away from it. Hold there and wait.

You are making a long slow stretch up the front of the neck, not pressing on anything. Wait rather than count: somewhere in the next minute a deeper…

Do not put a clock on any of this. Stay with each position until your body asks for a deeper breath or produces a yawn, then move on.

Timing by the clock turns the practice into another task to be completed. Waiting for a signal teaches you what your own signs of release actually…

After the throat, go straight to the chest. Most people feel the two loosen together, and noticing that link teaches you something about your own wiring.

Sigh the throat open, then put both hands on your breastbone and let the breath drop lower. If you have ever had a lump in your throat and a…