Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
425 practicesArea
How long you have · Twenty minutes
Who it is written for · A practitioner
Where you are right now
On your own, or with someone
Theme
Approach
Shame works like a lid. While it is on, the anger and the sadness underneath stay out of reach, which is why going straight for them so rarely works.
If you keep trying to cry and nothing comes, or you know you should be furious and feel only flat and small, look at what is sitting on top. Naming…
Under most shame something else is waiting: anger at what was done, or grief for what was missed. That is the material worth reaching for.
You will know you are getting close when the flatness starts to move, often as heat in the chest or a lump in the throat. Anger in particular tends…
The rawness around rejection usually has a history. Ask an adult where it started and you tend to land on a childhood of being asked why they could not manage what everyone else managed.
That matters, because it means this was learned rather than fixed in you from birth. Thousands of small moments of being corrected, mocked or left…
When a young person with ADHD goes through a first breakup or loses a friendship group, stay closer than usual. Do not wait for the next arranged contact.
Rejection lands harder here, and impulsivity shortens the gap between feeling unbearable and acting on it. A short unannounced check in, a lift…
With children, acting a situation out teaches far more than talking about it. Play the scene, swap roles, get it wrong, do it again.
Explaining social rules to a child who missed them leans on the same steady attention that let them slip past in the first place. Rehearsal skips…
Achievement does not cancel an old belief that you are a failure. People reach the very thing they were sure would fix it, feel nothing change, and quietly conclude that the problem must be them after all.
The belief was not built out of results, so results do not dismantle it. Anything good gets reattributed on the way in: luck, timing, other people…
It usually travels in stages. Something in how attention and planning work becomes a story you tell about yourself, then becomes the story other people tell about you, and by then it is much harder to shift.
Knowing which stage you are at tells you what will help. Early on, practical strategies do most of the work. Later, when a family or a workplace…
A calendar that catches only some of your commitments is more dangerous than no calendar at all. You look at Thursday, see a clear afternoon, say yes, and only later meet the thing that never got written down.
So the first job is not a better app. It is one place where everything goes, without exception, including the small things you are certain you will…
While you are talking, have them writing. Notes give attention something to hold onto, and they let you see at a glance who has gone.
Listening on its own asks a child to do nothing visible for a long stretch, and attention quietly drains away with nobody able to tell. A pen moving…
Put the demanding work where the energy is, not where the timetable happens to be convenient. Then alternate it with something they like, and break it up often.
Effort runs down fast, so an hour of hard work in one block will give you good minutes at the start and very little after. Cut it into shorter runs…
To react is to act again. Some of what fires in you belongs to an older scene, and the person in front of you has simply walked into it.
This is not a way of excusing what you do, it is a way of aiming the work. When a reaction is far bigger than the moment deserves, ask what it…
In a bad moment your attention, your seeing and your remembering all narrow onto the threat. So your memory of the row is a partial recording, and so is theirs.
Worth holding on to before you go back over who said what. Neither of you is necessarily lying when the two accounts differ. Starting with here is…
If waiting has always been hard for you, and your attention has always been restless, that belongs in the anger picture rather than in a separate story.
Irritability, reactivity and a mind that will not settle often arrive as a set. Working on the anger while ignoring the attention leaves the ground…
Most of us rehearse the crushing line we wish we had said. Try spending that same time writing what you would actually like to say next time, and keep it short enough to remember.
Take one real episode from the past week and write two things: what happened, and one sentence you would rather have used. Something like I am…
Say the difficult sentence out loud, on your feet, in something like the real conditions. Thinking it through in your head is a different skill from getting it out of your mouth when your pulse is up.
Acting it out feels awkward and that awkwardness is part of why it works: the version of you who has to speak is the aroused one, so that is the…
The hidden finger tap is weaker than a mark on paper. Better to know that now than to find it out when it fails you.
A written page holds you to it. The marks are still there afterwards, and there is no pretending you drifted for ten minutes. So learn it that way…
It helps to get one real taste of this early, in a single sitting, rather than waiting weeks to find out whether any of it is for you.
A first go that actually works gives you a reason to come back, and plenty of people never do come back. But one sitting builds nothing on its own.…
Even one go at this leaves you with something. You have seen for yourself that the anger can be handled, and that does not expire when you walk out of the room.
The picture is not killing the anger off. It is closer to getting a big animal under control and walking it home: still strong, still yours, going…
A hard feeling is not damage and it is not a bad attitude. It is a feeling, meant to be felt, and the only real question is at what pace.
Plenty of people were raised to treat their own sadness or anger as a failure of character, so the feeling arrives and shame arrives just behind it.…
Putting a film on, reading, letting the internet have an hour, all of it counts as a real skill when you choose it on purpose and know what you are choosing it for.
The version that hurts is the one you fall into without deciding and feel ashamed of afterwards. Choosing changes the whole thing: I am not up to…
Looking for a whole subject rather than a single practice? Start from the nine areas.