Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
474 practicesArea
How long you have
Who it is written for · Me
Where you are right now
On your own, or with someone
Theme
Approach
Hum a note you like for a few breaths, and try covering your ears with your palms so the sound fills your head.
The vibration carries through your throat and your inner ear, and humming lengthens the out breath for you without any counting. Choose your own note…
Breathe in, then push the air out gently against a closed throat, or against lightly pinched nostrils, for a couple of seconds.
The change of pressure in your chest is what does the work, and two or three rounds are enough to notice something. Keep it gentle. Straining is…
Cold water on your face, particularly at the hairline and around the lips, sets off a reflex that slows the heart. It is one of the few things fast enough to interrupt real panic.
A splash at the sink, a few minutes outside in cold air, or a bowl of cold water if you have one to hand. There is a quieter version for when you…
Coming up out of numbness usually feels worse before it feels better. Restlessness, irritation and a jumpy stomach are often the way up rather than a relapse.
The route out of collapse tends to run through activation instead of around it. That is why a short walk, some tidying or an errand often works…
Reaching for another person when you are wound up is not a distraction from coping. Contact can turn the alarm down at the source.
This is why a short call, a message to someone who knows you, or sitting in the same room as family is worth doing before you get as far as the…
Safety comes in through three doors: your body, the place you are in, and the people around you. If one is shut, try another.
This matters most when you are on your own and the person you would ring is not there. You can still change the room, open a window, go outside, put…
If your usual trouble is a racing heart, a crowded head and never quite coming down, slow paced breathing with a feedback device is the one to try first.
Part of the appeal is that you can watch it work. Five or ten minutes of breathing at the pace the app sets, with the trace on the screen smoothing…
A stress response is built to finish. The rush comes up, you do something with it, and then it drains away and you are back to yourself.
The trouble is that the doing something rarely happens, because you cannot run or shout in the middle of a meeting. The aim is not to stop the surge.…
Thinking about a feeling tends to slow it down. Feeling it in your body tends to speed it up. Between those two you have a throttle.
When someone is flooded, moving to words, naming and a little distance brings it down. When someone is flat and describing their week from behind…
The tools that slow things down mostly use your head: naming what is happening, standing back a little, putting the distress at arm's length for now.
Explaining to yourself what your body is doing. Watching a thought rather than arguing with it. Asking whether the worst reading is the only reading.…
The tools that reach what words cannot are physical: feet on the floor, a long breath out, pushing hard against a wall, deliberately walking away from something.
Some of what happened is held below language, which is why the most articulate account of it can leave you unchanged. Movement that finishes…
Wanting sugar, salt and something sharp at the end of a punishing week is physiology talking, not a defect in your character.
Long stretches of high stress come with real bodily consequences, and a shifted appetite is one of the visible ones. Fighting the craving head on…
When you cannot settle yourself, borrow somebody else's steadiness. Sitting near a calm person, even without talking, is a real thing to try.
Choose by effect rather than by closeness. Some people you love leave you more wound up than you started, and some people you barely know are easy to…
If you mostly run hot and jumpy, start with slow paced breathing. If you mostly go blank and far away, work that reaches you through sound and voice tends to get further.
The idea is to pick the tool that pulls against your usual tilt. Breathing practice puts the brake back on a system that has lost it. Sound and voice…
Looking for a whole subject rather than a single practice? Start from the nine areas.