Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
307 practicesHow long you have
Who it is written for
Where you are right now
On your own, or with someone · On my own
Theme
Approach · Body based
Before going towards a hard feeling, decide what will hold you while you are inside it: a way of breathing, a way of standing, a sentence, a person you can picture or ring.
Going in with nothing is not brave, it is flooding, and it teaches your system that feelings really are dangerous. Pick two or three supports in…
Whether a feeling is nowhere to be found or far too much, the questions are the same: what breath, what movement, what sentence, what person helps me stay with this?
Numbness and overwhelm look like opposites and they are both a problem of not being able to stay with the material. The same supports work in either…
Anger wants the body to do something, so let it. Breathe deeper and higher into the chest, stand up, press both palms hard into a wall, walk on the spot, push down through your feet.
Pressing against something solid gives the mobilisation an outlet with nothing broken and nobody hurt. Keep going until the charge drops a little,…
Some people are not frightened of a place or an animal. They are frightened of their own racing heart, their own tears, their own anger, and it behaves like any other fear: it grows on avoidance and shrinks on careful contact.
That framing is useful because it tells you what to do next. You do not have to understand where it came from before anything can change. What you…
Ask what you were taught about crying, about anger, about needing anything. Not what you believe now, but what you were told then, in the words that were actually used.
Most rules about feelings were installed rather than chosen, and once you can hear the original sentence, boys do not cry, do not be so sensitive, it…
If a movement keeps cutting a feeling short, work with the movement rather than the feeling. Stay with the dabbing of the eyes itself, slowly, and see what turns up.
The defence is usually easier to be with than the raw emotion, and it often carries the memory. Repeat it gently, notice the arm, the hand, the…
When one bit of you wants to let the feeling come and another bit is frightened of it, you are not being difficult. You are two things at once, and both of them have their reasons.
The frightened side is usually the one that kept you going for years, so shoving past it tends to make it dig in harder. It works better to turn…
With your eyes closed, bring to mind someone who is glad to see you, and let your face receive that look. A small smile usually arrives in the eyes on its own.
It can be someone you love, someone who loved you, a teacher from years ago, or an animal. The point is not the memory but the feeling of being…
Open your mouth and put on a big obvious fake yawn. More often than not a real one follows, and the soft palate lets go with it.
Yawns are catching, so if you are sitting with someone else one of you starting will usually set off the other. Let it be a proper one: jaw wide,…
Let the corners of your mouth lift about as much as they would if you had just remembered something mildly pleasant. Not a smile anybody would notice.
This comes from dialectical behaviour therapy, where it is used as a way of softening without pretending. You are not being asked to feel happy, and…
Let something out of your throat. A sigh, a groan, a hum, or the word for whatever is stuck, said aloud to an empty room.
It does not have to sound nice and it will not. Most of us learned early to go quiet when upset, so the throat becomes very good at holding. If a…
Closed eyes are optional. If closing them makes you anxious, or the inside of your head gets loud, open them and look around the room.
Name a few things you can see, listen for the furthest sound you can hear, notice any smell in the air. Looking outward like this is a way of…
The first time you slow a rising panic with your own breathing, something changes that no amount of reassurance could have changed. You have evidence now.
Panic runs on the belief that the sensations are in charge and you are not. One demonstration to the contrary is worth more than a hundred…
Tap the fleshy outside edge of your hand and say something like: even though I feel this, I accept myself completely. Three times, in whatever words are actually true for you.
The shape of the sentence is the point. It names the problem and refuses to make your worth conditional on solving it, which is the exact opposite of…
Work one side of your face or body first, then stop and compare. The difference between the treated side and the untreated one is often surprisingly clear.
This is a useful trick if you tend to finish a practice thinking nothing happened. Rather than asking whether you feel better, which is a vague…
End by pressing your palms together and staying there a moment. Each hand is giving and being given to at the same time.
It is a small thing that lands hard for people who only know how to be the one who helps. Notice the warmth and the pressure and notice that you…
Finish by letting your eyes travel slowly from one side to the other a few times, open or closed, then bring them back to the middle and notice how you are.
The idea borrowed from EMDR is that this helps the calmer state settle in rather than evaporate at the door. Whether it does that is not established,…
The first twinge often brings back every previous episode with it, and that dread is not separate from the pain. Fear tightens the muscles and turns the volume up.
Catching the moment is what helps: this is the twinge, and here comes the film of the last three weeks I lost to it. You are not talking yourself out…
You are not trying to get calm here. You are trying to find out what is actually going on in you, and whatever turns up is the useful part.
If a practice becomes something you can pass or fail, it will quietly join the list of things you are bad at. So drop the target. Ask what you notice…
Most of us hold a whole day around the eyes without knowing it. Scrunch them shut, open them wide, then rest your fingertips lightly over them for a few breaths.
After that, try the small points: the spot between your eyebrows, your temples, the soft dip under each eye where the cheekbone begins. Press only as…
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