Practices
Every practice in the library, in one list. Narrow it by how long you have, who it is written for, and where you are right now.
Narrowed down
98 practicesHow long you have
Who it is written for · Me
Where you are right now · Coping, mostly
On your own, or with someone
Theme
Approach · CBT
There is a particular good feeling in getting out of something you were dreading. Give it a name at home, because it is exactly what makes tomorrow harder.
Children recognise this straight away when it is put plainly: the lovely feeling when you find out you do not have to go. Adults know it too, in the…
When the fear is about being seen, being asked, being judged, you can build the steps out of real moments: the doorway, the corridor, the dining hall, answering once in a lesson.
Fear of a whole building cannot be practised. Fear of walking into the dining hall at half past twelve can. Make each step small enough to be boring…
Try this with someone you trust. They say a word, you say the first word back, fast, ten or so in a row. Black, white, mum, dad, sky. Then notice that nothing strange came out of you.
Underneath a lot of social fear sits the belief that speaking without preparing will let something humiliating escape. A minute of quick word…
Next rung: remark on something in the room. The plant, the noise outside, the length of the queue. Nothing about the person yet, just something out loud about where you both are.
It is the lowest stakes opening there is, because the subject is neutral and the other person can pick it up or leave it. Most of the time a small…
When you are ready, make it personal and small. Something you noticed about the person in front of you, said lightly, is the rung most people dread and most need.
Personal remarks are the feared category, because they cannot be passed off as neutral. Do it first with someone safe, a therapist, an easy relative,…
Rehearsing your lines makes things worse rather than better. It hands you a fresh way to fail, delivering the line wrong, on top of the conversation you were already dreading.
A script is a safety behaviour. It quietly confirms that unrehearsed speech is dangerous, and it gives you a second job to do while talking:…
When people frighten you, it helps to ask which part is the trouble: not knowing what to do, or being sure you are being marked while you do it. From the inside they feel identical.
Someone who has spent years talking mainly through a screen may genuinely be out of practice at the ordinary business of face to face talk, and that…
Everybody carries some awareness of how they are coming across. What differs between people is how loud it gets and what they make of it, not whether they have it at all.
This matters most just before you hear that some of your thinking is off, because that lands very differently if you already believe you are the only…
The right next step makes you uneasy to think about and still looks possible. If thinking about it turns your stomach it is too big, and if it bores you it is too small.
One way to find it: name the worst thing you can imagine first, the party where you know nobody, then work downwards until you reach something you…
Afterwards, say out loud what actually took place. You spoke without planning it and it went ordinarily. That sentence is the part that changes something.
Without it the mind files the whole thing under special circumstances: they were being kind, it was a safe room, it does not count. Keep the going…
Going from talking online to talking in person is not one more step up the same ladder. It is a different ladder, and it deserves rungs of its own.
Those rungs might run from voice notes, to a phone call, to a video call with the camera on, to meeting one person you already know somewhere quiet,…
When a step does not happen, cut the next one down without any speech about it. Smaller, and carry on.
Progress here is often slower than anyone would like, and that is the method working rather than the method failing. What does real damage is a run…
A group can help a great deal, and it is rarely the place to begin. Being in a room of people is a strong dose, and doses climb rather than start at the top.
Left too early it often ends with someone dropping out, and dropping out gets read as proof they were right about themselves all along. Once there is…
Catch the reflex on something small. A one-word reply to your message, and the first question your mind asks is what have I done.
That first question is the reflex, and it is far easier to see when nothing much is at stake. Practise there: notice the accusation your mind reached…
When somebody's voice climbs, let yours stay where it is. Staying level is not backing down, and in the room it usually reads as the stronger position.
Slow breathing, standing still, looking interested rather than braced: none of that is passive and none of it is agreement. An argument escalates…
Anger looks at the person and edits out the room. It is the man who is rude, never the traffic, the deadline or the night he spent awake.
This tilt sits in everybody, not only in you. Assuming bad intent has always been the cheaper error to make, which is why the mind reaches for it…
You can tell someone they have hurt you without your voice showing it. The message and the heat come apart, and it is usually the heat that stops the message being heard.
Worth saying, because plenty of people believe the only options are swallowing it or letting it out. There is a third, which is saying the whole hard…
Under the anger there is usually something you wanted and did not get, or something you are afraid of losing. Say that, and you have handed the other person something they can actually do.
"You never help" gives someone a charge to deny. "I needed you to take the kids for an hour and I was too proud to ask" gives them a job. The second…
If it really is that you feel too much for people, the useful move is not more feeling. It is learning to say no while still meaning them well.
Naming your softness as something that gets used is what makes a limit bearable to set. You are not becoming colder. You are stopping the slow build…
It helps to have one small set of moves you use whatever the worry is wearing today. Not a fresh technique for each fear, just the same few steps, learned well enough to reach for without thinking.
Anxiety changes costume. This month it is contamination, next month it is being late, next year it is your health. If every version needs its own…
Looking for a whole subject rather than a single practice? Start from the nine areas.